Tuesday, December 21, 2021

SHORT STORY: CHRISTMAS IN NEW YORK BY JEANETTE WINTERSON

                                                                                                                                                                                                Joe Thommas

 

I came across a wonderful live reading on NPR's Selected Shorts one afternoon in the car.  Alas, it was a rebroadcast from 2020 and the podcast is unavailable. So I managed to track down a print version to share. It's a lovely, spiced fruit bread filled with holiday fare:  friendship, childhood wishes and memories, love and loneliness and clairvoyant vodka.

     -Christmas in New York from Christmas Days, 2016-

The week before Christmas me and the guys at work liked to go out for a cocktail and a few plates. There’s a place we know on 12th Street called Wallflower, where the ceiling’s made of tin and the banquettes are made of orange stuff. It serves French food and American cocktails.

The night we went out we got talking about Christmas past – our childhoods mostly, when, according to memory, our affidavit against history, Christmas wasn’t commercialised, so although no one went shopping there were always presents under the tree. Kids went sledging and came home to play board games in front of the fire. Everyone had an old dog and a grandma who played piano. We all wore hand-knitted sweaters.

  Everybody built a snowman with a carrot for his nose and a scarf around his neck and sang ‘Winter Wonderland’.

  And on Christmas Eve you did your damn best to stay awake and see the fella in red in his sleigh – and you never did see him, but he came anyway, and drank the whisky on the kitchen counter.

  ‘Santa was an alcoholic.’

  ‘Yeah, but he spends the rest of the year in rehab.’

  ‘You want another bourbon? Martini? Twinkle?’

  ‘Come on, guys! This one’s on me.’

  I got up to go to the restroom. I sat down again. Seeing double.

  ‘Sam? Are you OK?’

  It was Lucille, squeezing in next to me in her little grey dress with the white collar. She works in the drawing office. I work in design. I tell her I’m fine.

  ‘You didn’t say anything when we were all talking about ­Christmas – don’t you like Christmas?’

  The fact is: I don’t like Christmas. I don’t know what it’s for these days – except for running up bills you can’t pay and fighting with your relatives. I live alone so I have an easy time of it. I live alone. That’s good.

  ‘I’m going home for Christmas,’ said Lucille; ‘what about you?’

  ‘I’m staying home,’ I replied.

  ‘On your own?’ said Lucille.

  ‘Yeah. I need some me-time. Y’know?’

  Lucille nodded like she was shaking her head. Then she said, ‘So tell me a story about your Christmas past. Just one.’

  ‘Choose any of them you like, they were all the same. We didn’t celebrate Christmas.’

  ‘Is your family Jewish?’

  ‘No. Just unpleasant.’

  I didn’t say any more right then because the others had started singing their version of ‘Fairytale of New York’, which was even worse than The Pogues’.

  I mean, what is this bonhomie? Is it because we’re in a bogus French bar that we have to have bogus French feelings, and kiss each other like it’s true?

  It’s not true, but here they are, my colleagues, clinking glasses and feeding each other prawns.

  Lucille leaned forward and joined in and I guessed that was the end of the Yuletide interrogation. I took a deep breath, made it to the restroom one more time, and decided to cut away right there and walk home.

  I took my coat from the rail and looked back at the group. Enjoy yourselves.

  Outside on the sidewalk there were people laughing, arm in arm, holding their faces up to the falling snow.

  What’s the big deal? Snow’s just rain that’s been left out in the cold.

  ‘I love it when it snows,’ said Lucille, suddenly standing next to me in her Russian fur hat and Doctor Zhivago greatcoat. Lucille’s OK but strange. She brings flowers to the office. She said, ‘Do you want to walk for a while?’

  So we set off through the white light and the gentle screen of quiet snow. The streets were noisy but didn’t seem so. The snow quieted the city and lowered the pulse rate of the place. And the late air smelled clean.

  ‘This broken world,’ I said.

  ‘What?’ she said.

  ‘Hart Crane.’

  ‘Oh . . . ’

  So we walked; past the bars and the eateries, and the small shops open late, and the guy selling bags under a tarpaulin, and the ­bundle of rags sitting up in the doorway with a sign that said MERRY CHRISTMAS FOLKS. The vent next to him shot out steam and the chemical crack of dry-cleaning. Lucille gave him five dollars.

  ‘So what was your Christmas past?’

  ‘Nothing – nada, I told you. No decorations, no tree, no gifts, no family meal. My father drove trucks across to Canada – he always chose the shift over Christmas – paid triple, he said, though what it paid triple for, what he spent it on, I don’t know.’

  ‘Are you saying you’ve never had a Christmas gift?’

  ‘No! I’m a grown man. I’ve had girlfriends. I have friends. They’ve given me gifts, of course! But Christmas itself means nothing to me.’

  There was a small dog on a leash jumping and snapping at the snow like he could catch it.

  ‘Christmas does mean something to you,’ said Lucille. ‘Christmas means sadness.’

  Oh, no, I said to myself, she’s New Age or she sees a shrink five times a week. Gimme a break.


  We reached the corner by the deli – its plastic frontage protecting a row of Christmas trees in pots. I smelled cold pine and detergent.

  ‘This is where I turn off,’ I said.

  ‘Your beard’s white,’ she said. ‘Seasonal.’

  I brushed the snow from my chin, pushed my hands into my coat pockets and set off down the block. About halfway I turned round. I don’t know why. Lucille had gone. Of course she had gone. Girls don’t stand on street corners in the snow.

  I went up the stairs to my apartment – it’s a one-bedroom in a building with a doorman who is dead but kept for show, and because it’s cheaper than getting someone who’s alive, I guess. He sits in his booth with the TV on. I’ve lived here two years. I’ve seen the back of his head but I’ve never seen him move.

  I unlocked my door – three locks in a rectangular blank plate of unforgiving steel – and turned on the light. My apartment is like my clothes – I don’t care but you have to wear something. I took this place furnished. I have never brought in anything of my own.

  Right in front of me in the middle of the room like it belonged there. A Christmas tree.

  I ran back downstairs and thumped on the booth where the doorman is supposed to be alive and well and willing to help the residents of the building.

  No response. I swear he turned up the sound on the TV.

  Then I’ll have to call the police . . .

  I’d like to report an incident.

  What kinda incident?

  There’s a Christmas tree in my apartment.

  Fella, you been drinking tonight?

  No. Yes. But not a lot. I mean, somebody has broken into my apartment and left a Christmas tree.

  Any material damage? Anything missing?

  No.

  Buddy, call your pals, say thank you, and say goodnight. Happy holidays, and goodnight.

  The line went dead. I phoned downstairs to the dead doorman. He didn’t pick up.

  The following day was my last day at work. I got up early, which was easy as I hadn’t slept much. The Christmas tree was still there. I had to walk around it to reach the door. As I looked back, as I was closing the door, I was sure the tree was smiling.

  At the office I said to Lucille, ‘Do you think trees can smile?’ She smiled in return, an open, kind smile I had never noticed before.

  ‘That’s not like you, Sam. That’s almost romantic.’

  ‘I’m a little distracted,’ I said.

  It was a day of winter sun that sparkled the city into diamonds and pearls. Electric-blue sky lit like a neon. The windows of the big department stores like magic mirrors into another world.

  I started to walk towards the Rockefeller Center, I don’t know why. The crowds are crazy, and everyone has six bags and no one can get a cab.

  Every year the city brings in a seventy-foot Christmas tree and strings it with five miles of lights and tops it with a giant Swarovski crystal star.

  I went forward, I don’t know why. Standing under the tree. The scale of it makes a grown man feel like a tiny child again.

  Sam! Sam! You come on in now.

  I want to see the tree, Mom. They’re bringing the tree from the forest!

  You heard what I said. Get inside now or no supper.

  Into the dark house. Into bed. And nothing.

  ‘Sam?’ It was Lucille. ‘What are you doing here?’

  ‘Me, oh, I had an errand midtown.’

  Lucille was still smiling – is she always smiling, and if so, why? She said, ‘I love coming to look at the tree. It makes me happy.’

  ‘It does? How does a tree make you happy?’

  ‘Because it’s free, and nothing’s free in New York, and it’s beautiful, and look how relaxed people are – with their children – and that old lady over there like she’s dreaming something good.’

  ‘She’s probably going to be all alone at Christmas,’ I said.

  ‘Are you?’ asked Lucille.

  ‘No, no. Of course not. Listen – have a good one, Lucille; I have to . . . ’

  ‘I was just heading into Bouchon for a hot chocolate. Want one?’
 

We reached the corner by the deli – its plastic frontage protecting a row of Christmas trees in pots. I smelled cold pine and detergent.

  ‘This is where I turn off,’ I said.

  ‘Your beard’s white,’ she said. ‘Seasonal.’

  I brushed the snow from my chin, pushed my hands into my coat pockets and set off down the block. About halfway I turned round. I don’t know why. Lucille had gone. Of course she had gone. Girls don’t stand on street corners in the snow.

  I went up the stairs to my apartment – it’s a one-bedroom in a building with a doorman who is dead but kept for show, and because it’s cheaper than getting someone who’s alive, I guess. He sits in his booth with the TV on. I’ve lived here two years. I’ve seen the back of his head but I’ve never seen him move.

  I unlocked my door – three locks in a rectangular blank plate of unforgiving steel – and turned on the light. My apartment is like my clothes – I don’t care but you have to wear something. I took this place furnished. I have never brought in anything of my own.

  Right in front of me in the middle of the room like it belonged there. A Christmas tree.

  I ran back downstairs and thumped on the booth where the doorman is supposed to be alive and well and willing to help the residents of the building.

  No response. I swear he turned up the sound on the TV.

  Then I’ll have to call the police . . .

  I’d like to report an incident.

  What kinda incident?

  There’s a Christmas tree in my apartment.

  Fella, you been drinking tonight?

  No. Yes. But not a lot. I mean, somebody has broken into my apartment and left a Christmas tree.

  Any material damage? Anything missing?

  No.

  Buddy, call your pals, say thank you, and say goodnight. Happy holidays, and goodnight.

  The line went dead. I phoned downstairs to the dead doorman. He didn’t pick up.

  The following day was my last day at work. I got up early, which was easy as I hadn’t slept much. The Christmas tree was still there. I had to walk around it to reach the door. As I looked back, as I was closing the door, I was sure the tree was smiling.

  At the office I said to Lucille, ‘Do you think trees can smile?’ She smiled in return, an open, kind smile I had never noticed before.

  ‘That’s not like you, Sam. That’s almost romantic.’

  ‘I’m a little distracted,’ I said.

  It was a day of winter sun that sparkled the city into diamonds and pearls. Electric-blue sky lit like a neon. The windows of the big department stores like magic mirrors into another world.

  I started to walk towards the Rockefeller Center, I don’t know why. The crowds are crazy, and everyone has six bags and no one can get a cab.

  Every year the city brings in a seventy-foot Christmas tree and strings it with five miles of lights and tops it with a giant Swarovski crystal star.

  I went forward, I don’t know why. Standing under the tree. The scale of it makes a grown man feel like a tiny child again.

  Sam! Sam! You come on
in now.

  I want to see the tree, Mom. They’re bringing the tree from the forest!

  You heard what I said. Get inside now or no supper.

  Into the dark house. Into bed. And nothing.

  ‘Sam?’ It was Lucille. ‘What are you doing here?’

  ‘Me, oh, I had an errand midtown.’

  Lucille was still smiling – is she always smiling, and if so, why? She said, ‘I love coming to look at the tree. It makes me happy.’

  ‘It does? How does a tree make you happy?’

  ‘Because it’s free, and nothing’s free in New York, and it’s beautiful, and look how relaxed people are – with their children – and that old lady over there like she’s dreaming something good.’

  ‘She’s probably going to be all alone at Christmas,’ I said.

  ‘Are you?’ asked Lucille.

  ‘No, no. Of course not. Listen – have a good one, Lucille; I have to . . . ’

  ‘I was just heading into Bouchon for a hot chocolate. Want one?’



  And so we sat – and Lucille was still smiling, and I was still not, and she was chatting about the holidays and suddenly I said, ‘Last night, in my apartment, there was a Christmas tree. It just appeared.’

  ‘Are you sure?’

  ‘I called the police.’

  ‘You called the police because there’s a Christmas tree in your apartment?’

  A guy in a plaid fleece squeezed by carrying two gingerbread mochas. He leaned down and said to Lucille, audible for my benefit, ‘Get yourself a better date, sweetheart.’

  Lucille laughed, but I didn’t see what was so funny. I called at his back, ‘She’s not my date!’

  The guy in plaid turned round. ‘So you’re stupid. I get it. Happy holidays.’

  ‘Somebody broke into my apartment! Asshole!’

  But the guy in plaid had gone, and I was on my feet, embarrassed and alone. I wasn’t alone. Lucille was still there.

  ‘Did you like it?’ she said.

  ‘The chocolate’s great, yeah . . . thanks.’

  ‘The tree. Did you like the tree?’

  I was walking back home, alone, thinking about what she had said. Do I like it that for the first time in my whole life of thirty-two years I have a Christmas tree in my home?

  I rounded the corner. The Afghans who run the deli were standing outside. I said, ‘Did you deliver a tree to my apartment last night?’

  They shook their heads and offered me some chestnuts from the hot pan. Am I going home for the holidays? No? They would like to go home. One of them took out his wallet and showed me a crumpled printed picture of the house where his parents lived – a single-storey building made of concrete set against a steep mountain topped with snow. He didn’t say anything – held the picture, like it was a light or a mirror, or an answer to a question. Then a woman came in wanting oranges.

  I went inside and bought some cooked chicken with rice and cashews and apricots, and headed round the corner towards my building. My apartment is on the fourth floor with the living-room window onto the street.

  There’s a light in my window, coming from inside, somewhere. Like a low lamp. I don’t own a low lamp. I’m a centre-light man.

  I rushed into the building.

  The Dead Doorman was in his booth watching TV. I stood outside waving my hands to attract his attention but all I heard was the TV set turned up louder. He’s gonna explode the set.

  There’s no elevator in my building, so I climbed up the stairs two at a time, spilling some of the juice out of the chicken container. I opened the door – all three locks are tumbled. No sign of a forced entry. Inside, I reached for the light switch but there’s no need.

  The Christmas tree is lit up.

  Outside on the stairs I can hear someone breathing heavily. I hang back in the doorway, tense, expecting something to happen. Instead Mrs Noblovsky from the fifth floor comes heaving by, carrying or being carried by a flotilla of gaudy bags. I can barely see her. ‘Let me help you,’ I say, because I have to say that.

  Mrs Noblovsky pauses, panting, outside my apartment. She sees the serenely glowing Christmas tree through the door, and sighs. ‘So nice, Sam; mine own iz plaztik.’

  ‘Would you like this one? You can have it if you want it. I can carry it upstairs for you.’

  ‘Such a good boy. A kind boy. No vank you. I am goink to my daughter tomorrov in Feel-a-del-fia. You must ve havink Christmaz here to hav that fine tree.’

  And then she’s on her way up the next flight of stairs, me behind carrying the bags, hearing about Christmas in Soviet Russia and her grandmother’s special vodka that made anyone who drank it clairvoyant.

  ‘When I voz three, Grandmama says to me, “Agata, you vill live in Amerika.” And here I am.’

  There’s no arguing with that. She opens the apartment and I dump her bags in the hall. Her place is bigger than mine. I’ve never seen inside before.

  Everything is brown – chocolate carpets, caramel furniture, velvet curtains the colour of coffee. There’s a mahogany standard lamp with a seaweed-brown fringed shade and an ancient TV in a veneer cabinet on legs. The distinct low rumble from the fridge makes the apartment sound like it’s digesting. It’s like she’s living inside a big brown bear.

  Mrs Noblovsky fetches me a bottle from a cupboard. ‘Vodka,’ she says, pressing it into my hand. ‘Clairvoyant. My babushka’s recipe. My brother in Brooklyn makes it from potatoes.’

  ‘Are potatoes clairvoyant?’

  ‘There iz a secret ingredient. Family secret. Take it. You are a good boy.’

  I protest, hesitate, hesitate, protest. Then I suddenly think of something. ‘Mrs Noblovsky, the doorman – downstairs – is he alive, do you think?’

  ‘I think zo,’ she says, ‘vhy?’

  ‘I’ve lived here two years now and he’s never spoken to me.’

  ‘He spoke to me about twenty years ago. I had a gaz leak. Vhy you want him to speak to you? You hav a gaz leak?’

  ‘He’s the doorman.’

  She shrugged and turned on the TV. I thanked her for the vodka and went downstairs.

  Back in my apartment there’s the tree. The glowing tree. Whoever did this had good taste in fairy lights but that is not the point. I ate the chicken and rice and cashews and left the apricots. I could have turned off the tree lights. Instead I sat staring at them. By the time I’d had four of Mrs Noblovsky’s clairvoyant vodkas I almost liked the tree. I could see myself buying something similar next Christmas.

  I fell asleep on the couch.

  ‘I bought this for you, Mom. It’s a Christmas present.’

  ‘We don’t celebrate Christmas, Sam.’

  ‘Why not?’

  ‘We never have and we never will.’

  ‘I saved my pocket money.’

  My mother unwrapped the present. It was a butter dish made of aluminum. In the shape of a clam shell. ‘It’s silver, I think,’ I said.

  ‘Thank you, Sam.’

  ‘Do you like it?’

  Cold light of day. The garbage truck woke me. I went to the window. Still dark on the block. More snow in the night like a secret we keep. The truck pulled away and the dirty tyre tracks were soon filled with white feathers from the snow goose in the sky.

  Snow goose? What’s the matter with me?

  Get up and go out, get what you need. It’s Christmas Eve.

  I went down to Russ and Daughters. Bought lox and cream cheese and pastrami. They were handing out free cookies. I took some. Round the corner is their eat-place and I thought maybe some roe on toast and a cocktail would be the right thing at 9am on Christmas Eve.

  I swung in, sat at the counter and picked up the menu that serves as a mat.

  ‘Hello,’ said Lucille.

  She was drinking coffee at a table. ‘Care to
join me?’

  Why not? I thought. Hell, the same woman is everywhere I go, and I have a light-up Christmas tree and a bottle of clairvoyant vodka in my apartment.

  I explained this to her. Not the part about her but the other parts. She nodded sympathetically. ‘Shall we have an ice-cream?’

  ‘At nine-thirty in the morning?’

  ‘That’s somehow worse than a Martini at nine o’clock in the morning?’

  She had a point. We ate the ice-cream; ginger for me, strawberry for her. ‘Are you at your friends’ place tomorrow,’ she said, ‘or will they come to you?’

  ‘We’ll decide later on,’ I said, panicking. I mean, I do have friends, but not at Christmas, but I’m not telling her that part either.

  She nodded. ‘So do you want to come shopping? A few last-­minute gifts?’

  I shook my head. ‘I don’t do gifts. It’s not a tradition of mine.’

  ‘Didn’t you ever make a list for Santa Claus?’

  ‘He’s make-believe,’ I said.

  ‘Wasn’t there ever anything you wanted so badly you wrote to Santa about it?’

  ‘Are you kidding me?’

  She wasn’t.

  ‘Well, I always hoped I’d get a toboggan, a real wooden one with a leather rein and steel runners.’

  ‘You could get one now.’

  I shook my head. ‘It was a long time ago.’

  ‘The thing about time,’ said Lucille, ‘is that it’s always there. You didn’t do it then, so do it now.’

  ‘Too late.’

  ‘To be a child prodigy, yes, it’s too late. To own a toboggan – no, it’s not too late.’

  I smiled at her smiling at me. I stood up and reached for my coat. ‘Happy holidays, Lucille. See you at the office in the New Year.’

  She nodded and looked down at the menu. I hesitated. I’m a jerk. But because I am a jerk I didn’t say what I wished I could say. I left.

  Heavier snow now and fewer cars. Time to go home. I read somewhere that more than half of the people in Manhattan live alone.

  At the deli on my corner Farouk was roasting more chestnuts. He gave me a scoop, rattling the tin shovel against the coals. ‘We’re closing at four. Having a party. Want to come?’

  ‘Sure; what can I bring?’

  ‘You bring nothing – you are my guest.’

  I remembered that Lucille had picked up the tab twice now. For coffee, and for breakfast. I didn’t even think to pay for my own breakfast this morning. I should call her. I can’t call her. I don’t have her cell.

  I went into my building.

  A great big silver bell with a red bow had appeared outside the booth of the Dead Doorman. I knocked loudly on the glass but all I could see was the back of his head and Angela Lansbury running around in ‘Murder, She Wrote’.

  Am I going to be killed by the Mysterious Christmas-Tree Fairy? I deserve it.

  As I tumbled the locks on my apartment door I was both afraid and excited. What now?

  Answer: nothing. Disappointment is the default position of my life. There was the tree. There were the lights, but nothing new.

  So I caught up on some work emails. They all came back with an out-of-office auto-reply. There’s no work ethic in America. It’s barely 11am on Christmas Eve.

  By noon I was showered and shaved and changed with nothing left to do. I thought I’d take a walk. Get something for Farouk anyway. He liked baseball caps.

  I was passing McNally’s bookstore. There was a copy of a Hart Crane in the window. I stood looking at it, and I heard myself saying out loud,

  ‘I could never remember

  That seething, steady leveling of the marshes

  Till age had brought me to the sea.’

  Crane wrote that when he was twenty-six. He was dead at ­thirty-two. My face was wet with rain or snow. I went into the store and bought the book.

  The Hart Crane isn’t for Farouk but the leopard-skin baseball cap is.

  I was sitting with him on the rusty treads of the fire escape behind the building. It’s too hot inside now – every Afghan in New York City is at the party. The music’s live and there’s a lot of laughter. Farouk must have seen me slip out on the fire escape. He followed me with a beer. So I pulled out the cap I bought him.

  ‘Does it fit? Try it on.’

  There’s a broken fridge with glass doors propped on the gantry of the fire escape. Farouk peers at the makeshift mirror of the glass, using his phone as a light, pulling the baseball cap low on his head, so that the peak is right on his eyes that are deep like black coals. ‘I never seen a leopard-skin baseball cap.’

  ‘I guess it’s for winter.’

  ‘I feel like a mountain cat in the Hindu Kush. You ever been to Afghanistan?’

  ‘Not me.’

  ‘Most beautiful place on earth. Here, I show you some pictures. My phone. Goats, eagles, the market where my father works – those sacks are rice. He is seventy and he can carry them. Very strong. He thinks I am a taxi driver. He always wanted himself to be a taxi driver.’

  ‘Would you go home if you could?’

  Farouk shakes his head. ‘What is home? Where is home? Home is a dream. Home is a fairy tale. This Afghanistan does not exist. Not for me. Home is where you make it, my friend. What do you think if I wear this backwards?’

  He rearranges his cap. Then he says, ‘Your girlfriend – nice girl, big smile; where is she tonight?’

  ‘She’s not my girlfriend.’

  Farouk looks sorrowful. ‘Girl like that – you should try harder.’

  It’s later now, much later, and I am back in my apartment, staring at the tree and finishing Mrs Noblovsky’s clairvoyant vodka. I can see the future and it’s just like today. What kind of a future is that?

  I throw open the window. Deep breaths of air. The music’s still coming from the party. I should get some sleep. One night sleeping fully dressed on the sofa is enough.

  But there’s something I want to do first.

  On top of the wardrobe there’s a box in a box. There are other things in the box too, but it’s the box in the box I want, a cardboard box and tied with kitchen string.

  My mother gave it to me when I was leaving home for college. I smiled, kissed her, kept it for the train.
  I opened it like I am opening it now. What had she given me to remind me of home?

  Inside was the aluminum butter dish in the shape of a shell.

  She never could receive. She never could give.

  I should have hurled it out of the train window. Instead I kept it like poison I had already swallowed. Why?

  My hands were shaking. I went to the window, leaned back and pitched the dish full pelt, past the air-conditioning units and satellite dishes, away through the night stars. Away into nothing. I didn’t hear it fall.

  Then I slept.

  Morning came. It does.

  I went yawning into the lounge in my boxers and T-shirt. There was the tree. There were the lights. Under the tree was a long cardboard box tied with a silver ribbon.

  I went back into the bedroom, did the whole yawning and stretching routine again, and returned cautiously to the lounge. The present – it had to be a present, didn’t it, because it was under the Christmas tree? – was still there.

  Going into my lounge was getting to be as unpredictable as having a wild animal in the house. What was I supposed to do? I made coffee, checked my phone; no messages. I wasn’t drunk. Yes, the item under the tree was definitely still there.

  All right. Deep breathing. Be calm. Get dressed. Jeans. Shirt. Sweater. Now take the box into the hallway and down the stairs and out onto the street and open it. Whatever is in there needs to be out of there.

  I grabbed a knife from the kitchen to split the cardboard. The box was heavy and bulky. In the lobby I saw that the blind was down on the Dead Doorman’s booth. Up. Down. So what? Dead is dead.

  OK, now I’m outside. It’s a beautiful morning. The sub-zeros last night have crisped the snow into a white carpet the length of the block. The moon is still in the sky although the sun is out. The air is sharp as a knife. My knife is not as sharp as the air, but I rip through the cardboard, pulling it away from the object inside.

  Objects aren’t happiness. But this one is.

  Inside the box is a deep-polished wooden sledge with a red leather rein and blue steel runners. But this sledge has articulated joints on the footrests so that you can steer it. Forgetting everything, I sat on it and tried the steering. It’s great.

  I didn’t notice a car pulling up – until the polished hubcaps of the retro VW Beetle flashed the sun in my eyes.

  ‘Do you want to go to Riverside Park and try it out?’

  It’s Lucille in a bobble hat, the top down on the convertible.

  ‘Did you give me this, Lucille?’

  Where didn’t we go? Pilgrim Hill in Central Park, Hippo on Riverside. Owl’s Head Park. And I was sledding through time or maybe there was no time because Christmas Day comes just once a year.

  The sun was going down before we were done. I said, ‘Do you want to come back for some lox and cream cheese? It’s not Christmas dinner but . . . I have black bread and some interesting vodka . . . actually I don’t; I finished it last night.’

  ‘I’m taking you to my place,’ said Lucille. ‘It’s small and I share it but the others are gone home for the holidays. And I have dinner for us. But let’s go by your place first. I need to drop something off.’

  ‘Haven’t you dropped off enough already? The tree, the lights . . . they were from you, right?’

  Lucille nodded. Such soft eyes. I love the way she smiles.

  ‘But how did you get in?’

Back at the building I left Lucille in the lobby while I took the stairs at a bound, changed into dry clothes and packed the lox. I hesitated, then threw in a spare T-shirt, shorts and my electric toothbrush. And something else. Something I knew I had bought for Lucille when I bought it.

  ‘Thank you,’ I said to the tree on my way out.

  In the lobby Lucille was standing with an elderly man who had the same kind of bright smile that she did. He seemed vaguely familiar. When she saw me she said to him, ‘This is Sam.’

  ‘Sure I know it’s Sam,’ said the vaguely familiar guy. ‘Always wants something, so I always ignore him.’

 Then he kissed Lucille on the top of her head and went back towards the booth. I recognised the back of his head. ‘See you tomorrow, sweetie.’ The booth door closed on the not-so-Dead Doorman.

  ‘He’s my grandpa,’ said Lucille.

  We got into her VW. We went to her place, small as an envelope. We ate. We talked. I nearly kissed her, but then I gave her the Hart Crane, and she kissed me. She was in charge, I guess. I said, ‘I owe you for coffee and breakfast.’

  She said, ‘There’s all of next year.’

 
 

A SNOWY EVENING IN THE WOODS WITH BACH

Click on vid to begin, then click on image to enlarge.

                                                                                                                                                                                                             Ryan Bliss
 
 

HAPPY SOLSTICE!

 The return of the sun!!

Saturday, December 18, 2021

A COLLECTION OF SNL CELEBRITY JEOPARDY WITH A LEWD SEAN CONNERY MISREADING THE BOARD

 
A few minutes of relief from our times. Hats off to the creativeness of the SNL writers who clearly had a lot of fun thinking up these jokes. Will Farrell as the impossibly straight-faced Alex Trebek and Darrell Hammond as Connery.

Saturday, December 11, 2021

POEM: "OUTGOING TIDE"

 

I stand in water
 with rolled trousers.
A peach pit in hand.

Time is drawing me 
and the tide out.
I cannot swim.

POEM: EXCERPT FROM DEREK WALCOTT "LOVE AFTER LOVE"

...Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart...

SATURDAY NIGHT MUSIC: THIEVERY CORPORATION "SAUDADE "

 
Laid-back bossa nova from the Washington DC duo who generally work in the electronica genre. I find this to be relaxing, drink-sipping fare for in front of a fire on a blustery winter day or on the deck on a summer evening. Saudade translates from Portuguese roughly meaning a melancholic longing for someone or something from the past.

Friday, November 26, 2021

NEW SUPPORT RIBBON: FPS AWARENESS


Anyone who has a lapcat can relate to this condition: a numbness in your legs after your loving cat has spent a good amount of time on your lap. The condition, Feline Paralysis Syndrome (FPS), while temporary in most cases, can be painful and a bit of a hazard when first getting up on unsteady legs after a lengthy session with your furball. Often your cat, after settling in and getting comfy as well as filled with pleasure from the ear scritches, long strokes and belly rubs, can exhibit grumpiness when asked or "helped" off your legs. Sometimes your cat will displace his/her feelings by dumping over a nearby wastebasket or stomping off and slugging a feline roommate. 

There is no cure for FPS. One can only attempt to train your cat (ha, ha, ha yeah right) to realize that these loving sessions are short or minimize his/her displacement by staggering out to the kitchen to fetch a snack.

Good luck to us all.
 

TV SERIES: MARTIN CHUZZLEWIT AND BLEAK HOUSE BY CHARLES DICKENS

Up here in snow country, the fireplace season has begun with blustery days of wind with rain and snow. Perfect time to settle down in front of the electric box and watch something tasty. We stumbled upon a couple of gems: a pair of quintessential works by Charles Dickens from our friends at the BBC. Both are satire with the author's keen observations on social issues, the stifling rigidity of the English class system, the plight of women and children and the spectrum of human cruelty and kindness. Part of the fun are the Dickens' trademark names he came up with that in most instances, reveal the character of the person. Pecksniff from Chuzzlewit, a snobby social climber; Smallweed from Bleak House, a vicious small time landlord and moneylender are good examples.

Both novels are episodic and to our modern sensibilities, soap operaish with dramatic cliff hangers at the end of each section. Indeed, this was a brilliant marketing method by the author as he serialized his work: Chuzzlewit between 1824-1844, Bleak House 1852-1853. At the height of his popularity, crowds would wait on the wharf in NYC to get their hands on the latest installment. It is to our great fortune that the following versions are of 6-8 one hour long episodes that do justice to the work. It would simply be criminal to try and confine these books to a 2 hour film.

Martin Chuzzlewit: the main theme concerns selfishness and it's ruinous impact on a human being and those around them. In the story center is an extremely wealthy old man nearing the end of his days and the machinations by relatives to get a piece of the fortune. From 1994 starring Paul Scofield, Pete Postlethwaite, Tom Wilkinson and John Mills.

Bleak House: an indictment of the English Chancery Civil Court system where litigation could take decades to resolve. Here, a case involving a will has all claimants on tetherhooks with dreams of wealth and status perpetually frozen and, as the old joke goes, no one is getting rich but the lawyers. From 2005 starring Gillian Anderson, Carey Mulligan, Charles Dance, Nathaniel Parker and Warren Clarke.

Available from BritBox which can be accessed via Prime. For the cost of a couple of lattes...($6.99), cancel whenever.

Enjoy!


 

Thursday, November 25, 2021

HAPPY HARVEST FEAST DAY!

 


FREE YOUR MIND: ART BY PRISONERS IN THE MICHIGAN SYSTEM

 

Karmyn Valentine, The Way It Feels, 2016

One of many prison artists featured in an exhibition at the Broad Museum, MSU.

https://broadmuseum.msu.edu/exhibitions/free-your-mind 

Saturday, November 13, 2021

FUN WITH THE JAY FAMILY

Blue Jays love peanuts and an enjoyable activity for us this past September, after the hoards of mosquitos finally subsided, was lining up 4-5 peanuts on the pool deck railing. Jays can spot peanuts from quite a ways, utter a call to announce their intention and swoop down to grab one, fly away and return. We have 3 Jays and we wonder if they are a family: Ma, Pa and teenager. Quite entertaining on a warm evening after supper while sitting on the deck. Great fun for those who have children and grandchildren. 

Mark Twain tells a great yarn about  the Jays' collecting habit in A Tramp Abroad:

https://loa-shared.s3.amazonaws.com/static/pdf/Twain_Bluejay_Yarn.pdf 

MOVIE: THE PLANTERS

 

An original and intriguing DIY indie film by childhood pals, Alexandra Kotcheff and Hannah Leder, who assumed nearly all scripting, performing and production duties. Filmed in a small Californian desert village by the Salton Sea, this debut feature took nearly 5 years to complete as the actresses fit the project in while working on other jobs and as funds allowed. The Planters very much echoes the deadpan whimsy of Wes Anderson films with a dash of Lynch and bits of claymation. 

Kotcheff plays Martha Plant, a telemarketer selling air conditioners who sucks at her job. Her parents have recently died in a horrible accident. She has a peculiar side gig burying items in the desert and putting them up for sale. One day while burying something, she meets a wandering woman (Leder) who, as a non-violent mental patient, was recently released from the local facility because of budget cuts. Martha takes her in but soon discovers the woman has 3 personalities: Sadie, sweet and intelligent with a Jesus fixation; Emma, a 4 year old with major potty training issues and Angie, a party-hearty girl. 

The film was released in September 2020 and is curiously prescient (work began in 2015) of what the world was experiencing because of Covid. Death of parents, isolation, lack of friendship, contact and TLC from another person-all universal themes of the human condition. While some plot devices are well-worn, this is a sweet and loving film by Kotcheff and Leder full of wry social commentary with clever and fun bits. Not a direct spoiler alert but worth mentioning to pique your interest: the ending scenes point to a Eastern Orthodox peculiarity: the Holy Fool and that Kotcheff is of Bulgarian descent.

It took me a while to warm up to the film, to enter that particular universe but patience paid off with a heapin' helpin' of enjoyment. And with a running time of only 78 minutes, it's not a huge investment of time.

A personal note: my first job getting out of high school was working as a telemarketer. My job was to cold call people to get them to come to a info meeting involving vacation property in Northern MI called Lakes of the North. Four hours in the evening, minimum wage, a bonus for each sucker, I mean potential client, who signed up. I probably did this for a month before starting what later turned out to be a 25 year stint with Kroger. 



 

Friday, November 12, 2021

TWO PERENNIAL HOUSEHOLD MYSTERIES SOLVED

 

Heaven... I'm in heaven,
And my heart beats so that I can hardly speak...
 

I was grumbling to C about a continuing frustration: we have tupperware lids with no bottoms and bottoms with no lids. 

J: Where the hell do these things go?

C: They run off with the missing socks.

Thursday, November 4, 2021

META FROM POLISH ARTIST PAWEL KUCZYNSKI


 

CRAZY BEYOND BELIEF

 

QAnon believers gathered on November 2  in Dealy Plaza, Dallas, TX convinced that John F. Kennedy and John F. Kennedy Jr.  would appear around 12.30 pm CT. John Jr, it is believed, having faked his 1999 plane crash death, was reappearing to run as Donald Trump’s vice president in the 2024 elections.

No comment necessary.





Monday, November 1, 2021

WE IMAGINE ZUCKERBERG'S META MARKETING SPOT

Last week, dear old Mark Zuckerberg introduced to the world his latest product to help mankind. After all, that is the obnoxious conceit of this man whose internal jingle is the ditty from the 1971 Coca Cola commercial "I'd like to teach the world to sing (in perfect harmony)". In his latest endeavor, META, he proposes we escape all the crap in the world by putting on virtual reality glasses ($200 from Facebook), buy a subscription and spend hours with favorite avatars for people and places. I can imagine the kind of drooling this concept evoked in the world's facist leaders. Get people hooked on this device, create incentives for them to spend more and more time in virtual reality all the while, you and your cronies rape, pillage, terrorize, murder with impunity and turn the real world into a hell on earth. Think of the synergies! Think of the profits!

I think the following would be a fabulous META ad geared to address FOMO anxieties of so much of the 1st World population.
With many apologies to:
Songwriters: Hatch Anthony Peter
Downtown lyrics © Welbeck Music Ltd., Smack Hits, Universal Music Works, Warner/chappell Music Ltd.
 
Keywords are bold, in red and italicized.
 
When you're alone and life is making you lonely
You can always go
META
When you've got worries all the noise and the hurry
Seems to help I know

META
Just listen to the music of the traffic in the city
Linger on the sidewalk where the neon signs are pretty
How can you lose?
The light's so much brighter there
You can forget all your troubles, forget all your cares
So go META 
Things will be great when you're
META
No finer place for sure
META
Everything's waiting for you (META,META)
Don't hang around and let your problems surround you
There are movie shows
 
META 
Maybe you know some little places to go to
Where they never close
META
Just listen to the rhythm of a gentle bossa nova
You'll be dancing with 'em too before the night is over
Happy again
The light's so much brighter there
You can forget all your troubles, forget all your cares
So go META
Where all the lights are bright
META
Waiting for you tonight
META
You're gonna be alright now (META) 
META
META
META
META  
And you may find somebody kind to help and 
understand you
Someone who is just like you and needs a gentle hand
To guide them along
So maybe I'll see you there
We can forget all our troubles, forget all our cares
So go
META
 Things will be great when you're
META
Don't wait a minute more

META
Everything's waiting for you (META,META)
META
META
META
META
META
META 
META
META  
 
 
 

MOTHERS AND DAUGHTERS

 

                                                                                                                                               William Perugini

In today's Times, there was an essay by regular contributor Margaret Renkl reflecting on her turning 60 years old. One of the passages was particularly touching and in my opinion unusual:

...This is just who I am now, a person who looks exactly like her late mother, despite far more exercise and a far healthier diet. Besides, I loved my mother, and I love seeing her again in every store window I pass.

I do not think I have ever heard such a loving and positive expression by a woman about her mother. Usually, it's "ugh, I look just like my mother." So many women I know don't have such a fondness for the one who made them. All the "baggage" from growing up and adulthood with deep archives of anger, hurt, disappointment and worse. Tis a shame.

THIS YEAR'S JACK O'LANTERNS

 

C and I had not discussed a theme-we just started carving! Curiously, we chose the same idea: eyes. Mine (left) is a rendition of the 3 eyed alien from the classic Twilight Zone. C's (right) is a portrait of Leela from the animated series Futurama. It becomes more apparent if you squint and imagine her eye is looking down.


 

Sunday, October 31, 2021

WHAT THEY LEFT WITH THE EGYPTIANS

 
This is a Oriental Shorthair cat, a breed closely related to a Siamese. Alien looking ears.

BOHEMIAN CATSODY-A QUEEN PARODY

 
Wow. Happy Halloween everyone. Me hats off to ya if you can watch the entire thing.
 
Wow.

Saturday, October 30, 2021

MOVIE: MR. HOLMES

A 2015 film based on the 2005 novel A Slight Trick of the Mind by Mitch Cullin. Ian McKellen stars as Sherlock.

The year is 1947 and the famed detective, aged 93, has lived the past 30 years in retirement on the Sussex coast. The film deftly weaves three stories: Holmes' visit to Japan, his budding relationship with the 14 year old son of his housekeeper and his struggle with a fading memory while he attempts to set down on paper the story of his final case. 

A well-paced, tender, poignant tale of the famous detective battling his final nemesis, his failing body, and finally realizing the consequences of his lifelong obsession choosing logic over emotion. 

There's many subtle and satisfying bits of pleasure in viewing this film and foremost is watching a fine actor at work as the story shifts back and forth between the detective at age 63 and 93. Extraordinary.

And, you get some lessons on beekeeping, a hobby that the boy and Sherlock bond over. If you remember, this is how Conan Doyle ended his Sherlock series with Holmes retiring and taking up this avocation. He puts forth the idea that he prefers the company of bees to those of people, implying that the occasional sting was much more tolerable to what his fellow human beings can dish out. This is a man who has been hurt, terribly, and his retreat behind the walls of logic was his remedy for pain.



 

SATURDAY NIGHT MUSIC: TALKING HEADS "THIS MUST BE THE PLACE (NAIVE MELODY)"

 
From their 1983 album Speaking in Tongues.

Thursday, October 28, 2021

DINOSAUR ADDRESSES UN: #DON'T CHOOSE EXTINCTION


Click on link to access video
 https://news.un.org/en/story/2021/10/1104082

Not an Onion satire, this clip was produced by the United Nations Development Program with Jack Black as the voice of the critter. While clever, it's slickly Hollywood with clichéd surging score and shameless tearjerking in a Feed The Children way. I suppose the over-the-top presentation does the job of getting attention but on the other hand, it veers into common parody that is SNL's stock in trade. I imagine the calculation by UNDP is to spur change by any means to inspire the world's male leaders to get off their duffs and do something substantial about the climate crisis. Clearly, the dudes are upset and offended by the righteous scolding of a pig-tailed school girl with asperger's syndrome. The nerve of that girl! Bend down before your betters, kid, you need to learn that people do not speak to us in that manner.

Meanwhile, let's cut to the chase: trillions of individual lifeforms on the planet are at risk because of a handful of rich men. Based upon their actions, it's obvious that they don't care about anyone or anything else but their Gollumesque clinging to wealth and the power it brings. Hell, they know they have time left in their lives before the shit hits the fan and if things go south early, they have made the delusional calculation that their wealth can keep them comfortable and safe. As for their children and grandchildren, I can't see that they give a shit. Yer on your own, kids!

Wednesday, October 27, 2021

FLAPPER MANIA

Nearly 100 years ago, the Flapper was all the rage. For women and girls, it was a time of throwing off the stifling yoke of the Victorian era. They cut their hair short, drank and smoked openly, danced and wore skirts that went well above the knee. One popular cosmetic feature was to rouge their cheeks and  knees, sometimes, as pictured above, to paint images on the joint. Of course this freaked out the "adults" but that was part of the whole point. Not much different from today where it is not unusual to see females sporting tattoos, some on the entire arm, leg and back. We've always done this, adorning our bodies in some shape and form. One part personal expression, one part mating display, one part jerking the chain of your elders.

CRUDE, BIZARRE MARKETING CAMPAIGN

This ad for Lume appeared just prior to the beginning of a YouTube selection. Astonishingly surreal marketing hawking yet another product dealing with our massive First World neurosis: body odor. But this one tackles what heretofore has been unmentionable-Butt Crack Odor. In fact, as the commercial shows, their product combats this nefarious problem. Further commercials broaden the formidable power of Lume taking on human stink of all kinds: feet, armpits and vaginas. Click on the link to access their online commercial and play: The Butt Suds Test.

https://lumedeodorant.com/pages/bodywash 

Oh, the cost of this miracle substance to ease your anxieties whilst among others of your species? A mere $19.99. I'm sure there's a "wait, there's more" pitch in there somewhere as well your life being inundated by the algorithms on all your devices relentlessly urging you to buy, buy, buy. You loser. You smell like ass.

This reminds me of the classic Poo-Pourri commercial c. 2010, a product which portrayed itself as a natural alternative to Glade or matches in eliminating bathroom odors.

 

I am also reminded of the final lines of e.e. cummings' 1922 work Poem, or Beauty Hurts Mr Vinal. Bless you Norm Beck (1939-2015), freshman lit LCC, for turning me on to this.

...americans (who tensetendoned and with
upward vacant eyes, painfully
perpetually crouched, quivering, upon the
sternly allotted sandpile
–how silently
emit a tiny violetflavoured nuisance: Odor? 

ono.

comes out like a ribbon lies flat on the brush

                                           

 

 

 

 

Tuesday, October 26, 2021

THE LAST OF OUR SUMMER TOMATOES

J.Kristin
                                                                                                                                                                         

Sunday, October 24, 2021

DAFFY DUCK'S NAME ORIGIN?

Whattyamean I'm crazy??? I dose everyday!!

C and I were watching the recent version of Vanity Fair the other night and reference was made to "Daffy's". I asked C about it and she said that this was a very popular patent medicine in the 17th, 18th and 19th centuries and is also mentioned in Dickens' Oliver Twist. Reminiscent of a recipe from our beloved, goateed Colonel, it is a mixture of a number of herbs and spices and brandy, sometimes augmented with gin. It began as a stomach remedy and laxative, often used to help teething infants and later was marketed as an all-around cure for most ailments. Being in an unregulated industry, inevitably after numerous outbreaks of poisonings and deaths due to cheaper knockoffs, Daffy's Elixir became a poster child for what was popularly termed quack medicine.

We wondered if this was the basis for the Looney Tunes character Daffy Duck. Someone in Tex Avery's crew must have come across Daffy's and thought it was a perfect name for this new character. It fits! Daff is bonkers, aggressive, unreasonable, paranoid, selfish and you have to wonder if the writers experiences with unstable alcoholics help give an air of authenticity to the little black quack.
 

MOVIE: A SCANNER DARKLY

 

A Richard Linklater animated film from 2006 adapting the 1977 novel by Philip K. Dick. This is the second film by Linklater featuring the use of the Rotoscope process for animation following 2001's Waking Life. The film stars Keanu Reeves as an undercover narcotics cop, Robert Downey Jr and Woody Harrelson as his drug addled roommates and Winona Ryder as a drug dealer.

The film is set in a dystopian near-future America. 20% of the population is addicted to Substance D, a nasty, destructive substance that addicts upon initial use and eventually fries the brain of the user.

What an imaginative film! A gumbo of Dick's paranoia and dystopian futures, William S. Burroughs harrowing drug use and hallucinations, crime noir and dark druggie humor all dished up in the trippy Rotoscope animation. One intriguing concept (and its depiction) is the "scramble suits" worn by the undercover operatives that hides their identity by the constant shifting of features so that the viewer only can grasp a vague idea of what they are seeing. It's one of the key features of the tale whose themes explore reality and the impact of drugs on brain function and perception.

A Scanner Darkly features a well-cast group of actors who seem to stay within familiar personal tropes: Reeves, with his competent yet narrow range pulls up his tough guy routine that has gleaned several franchises; Downey creates one of his most memorable crazy (and over the top) characters; Harrelson revives his patented goofy drughead roles and Ryder, who doesn't stretch too far to play one of the few sympathetic characters in the film.

This is considered by many to be semi-autobiographical of Dick written during a rough patch in his life: with his wife leaving him, his constant use of amphetamines to aid in writing as much as he could to make money, sharing his house with a revolving door of teenage addicts. The novel and the film accurately depict the severe consequences drugs have on people's lives, brain functions and behavior.

It's an intense film, there's a lot going on here on a number of levels. I consider this to be one of the most unique films out there.


 

FIRST FROST

 

Our weather continues its unsettled patterns with a warm Fall especially in the evening. This lack of cold has impacted noticeably on the leaf color which have been pretty drab on many species. Our average first day of frost is October 3/4 (depending on the source) so you can see things are off schedule. Finally this morning, we had our first frost. It was pretty foggy and around 8.30, my thermometer read 32 degrees and I noticed frost was beginning to form on the roofs and lawns in the neighborhood. It was short-lived as the temp rose to 34 an hour later and the frost melted quickly. It was cold enough, though, to impact the tender coleus which are  now looking worse for wear.

In other seasonal goings-on this week: Senor Junco made his first appearance on Saturday; a few monarchs are still feeding on the waning tithonia and butterfly bushes; I was surprised to hear midweek Red-winged Blackbirds off towards the woods; and we fired up the fireplace for the first time on Saturday night. 

NWS, NOAA and The Old Farmer's Almanac have released their winter forecast: above normal temperatures and precipitation. I can dig the warmer weather, considering that a number of sources, at this point in time, are predicting a 50% increase in heating costs. I really don't want to hear about utilities pleading poverty next year. I do not dig having to shovel more of the S word. Maybe we will luck out and it will be warm enough to just rain.

Saturday, October 23, 2021

WTF BILL OR WHAT WAS UP WITH SHATNER'S BLUE ORIGIN FLIGHT: A TRFNN EXCLUSIVE!

 

On October 13, 2021, the actor William Shatner flew into space and back aboard Jeff Bezos' Blue Origin rocket becoming the oldest person to do so at age 90. While the flight itself was uneventful, the event and landing sparked a wide range of comments from across the globe, much of which was negative. Many wondered why Shatner seemingly agreed to become a shill for the less than popular billionaire. Others were more dismissive, pronouncing the Star Trek actor as "a fool".  Inquiring minds wanted to know so we at The Real Fake News Network, dug around to find the truth. And it's a REAL shocker. 

The flight was a failed attempt at assisted suicide.

Our sources say that Bill had approached Jeff with a proposition. He was weary of life but didn't want his legacy to end with death by suicide. Ever the scene chewing ham with an ego to match, he wanted to go out with a bang. Why not some sort of accident? He had a dodgy ticker and figured that the stress from the 5.5 g's pulled during liftoff would probably kill him. Space tourists and astronauts have reported that 5.5 g makes it quite hard to move ones legs and arms. If not a heart attack, maybe a brain aneurysm, Bill thought. To help matters, he decided to go off his meds for a couple of weeks and exclusively eat at his beloved In and Out Burgers which had been forbidden by the docs.

Jeff Bezos didn't bat an eye upon hearing Bill's idea. "Think of the PR synergy! Oh my God" thought Jeff, "you couldn't script this!! Captain Kirk flying in one of his spaceships!" He felt a slight erection coming on, a peculiar habit of his body whenever he encountered a golden opportunity. Shatner's physicians would have to sign off, of course, but no big deal. He had always been a fan of Star Trek since childhood and now, he was able to help the aging star out. Suicide, smooicide. It's a win, win situation baby!

Ah, the best laid plans of mice and men. Bill goes up, Bill comes down. Bill survives. While his televised babbling and blubbering statements seen across the planet were thought to express his feelings about his extraordinary experience, in truth they were about something entirely different.

He was astonished to still be alive.

 

Wednesday, October 20, 2021

ENDING CLIP FROM "THE DUELLISTS" (SPOILER ALERT)

 

One of my longtime favorite films. Nicely directed and scored and wonderfully shot. From 1977(!!!), Ridley Scott's debut film. In this final scene, I heard commentary from Scott about the lucky break he got with the sun and clouds while shooting it. That's right folks, no CGI, patience and being in the right place at the right time.  My only quibble with the film was the casting of Keith Carradine who I thought was a bit weak and perhaps too American.

A MURMURATION OF STARLINGS

 
I had not heard of the term murmuration before. Would be fun to witness in person.

Sunday, October 17, 2021

QUEENIE AND GRETA CALL OUT THE GUYS

     Chris Furlong                                                                                                             Carl Johan

75 years separate these two women but they're on the same page when it comes to their opinions of the world's male leaders. Leading into the UN climate change conference (COP26) scheduled to begin at the end of October in Glasgow, Scotland, both have expressed dismay, irritation and impatience with what they see as "big talk with little action" by the guys. 

Bless them. They are righteous women.





Friday, October 15, 2021

FAIRPORT CONVENTION: "FOTHERINGAY"

 
From 1969. Written by Sandy Dennis and appearing on the second Fairport Convention Album, the song concerns Mary Queen of Scots who spent the last days of her life as a prisoner in Fotheringhay Castle in Northamptonshire, and was executed in the castle's courtyard. The song reflects on her years of imprisonment and impending death. 
 
While the circumstances are different (voluntary vs involuntary), this song made me think about the guilded cage lives of American female pop stars such as Whitney Houston, Brittany Spears and Taylor Swift, all of whom have learned the bitter cost of celebrity.


How often she has gazed from castle windows o'er,
And watched the daylight passing within her captive wall,
With no-one to heed her call.

The evening hour is fading within the dwindling sun,
And in a lonely moment those embers will be gone
And the last of all the young birds flown.

Her days of precious freedom, forfeited long before,
To live such fruitless years behind a guarded door,
But those days will last no more.

Tomorrow at this hour she will be far away,
Much farther than these islands,
Or the lonely Fotheringay

FRIDAY NIGHT MUSIC: "IT'S NOT TOO LATE" BY T BONE BURNETT

 
From 1992. Co-written with Elvis Costello and Bob Neuwirth. 
 
Nearly 20 years later, the message not only still resonates but does so with much greater urgency. We still have some time left to save the planet and ourselves.
 

Thursday, October 14, 2021

NEAR MISS

 

Readers familiar with this blog have encountered one of my favorite concepts concerning the precariousness of staying alive: the unfortunate who win the world's worst lottery. Recently, a woman from British Columbia narrowly escaped this designation with a real life Donnie Darko encounter in miniature.

https://www.nytimes.com/2021/10/14/world/canada/meteorite-bed.html

Tuesday, October 12, 2021

WHY THE GREEKS (AND OTHERS) COULDN'T SEE THE COLOR BLUE

 
 

MODERN FABLE: WHEN THE GLOBAL MARKETPLACE MIXES WITH THE SUPERNATURAL

Bob and Amy purchased a new set of drinking glasses to replace their old ones that had gone cloudy due to their hard water. Amy was thrilled to find ones that had dragonflies etched into the glass and they were reasonably priced. They arrived a few days before she was to host her monthly book club and she was pleased to be able to serve her guests drinks in these pretty cool and pretty clear glasses. 

The late morning of meeting, she had set out on the dining room table the dishes, glasses and silverware for the potluck. She was in the kitchen putting together her casserole when she caught some motion out of the corner of her eye in the adjoining dining room. She was concentrating on her cooking and mentally, she wrote it off as movement of light from the windows as the day was a mix of sun and clouds. It wasn't Bob as he had left a half hour ago to hang out with his buds to drink beer and watch football. She had just put the casserole into the oven and turning, was shocked to see her new glasses flying around the dining room. She took a couple of steps towards the table to get a better look. All 12 glasses were in motion or hovering, none of which seemed to mind or even notice her presence. One moseyed into the living room and set down on the coffee table. Another was circling around the ceiling fan. Amy decided to call her best friend Gail, who was attending the book club meeting. She explained the situation and no, she hadn't nipped into the wine early. She took a short vid of the glasses on her Iphone and sent it to Gail who advised her to stay out of the room until she could drive over. Meanwhile, Amy watched the glasses. There seemed to be nothing menacing or threatening going on and suddenly a crazy idea came into her head: the glasses were acting like the dragonflies etched onto their surface. Crazy, but it was the only reasonable explanation. A shudder went through her: is there some kind of spell on these glasses? Her mind began to accelerate and spin like Linda Blair as panic began to set in. She had to steady herself by leaning on the couch: Dear God! There are devils in my house!!! Luckily for her, in the middle of a very serious downward spin of emotion and rationality, Gail arrived and without knocking walked into the house. She was confronted with two sights: her best friend looking white as a ghost with a stunned expression and a room filled with flying drinking glasses. "Jesus Christ, who the hell do we call? The cops? A priest? Or Ghostbusters?" Gail exclaimed as she moved over to Amy. "All of the above replied Amy. We gotta get outta here. NOW!" Without taking their eyes off the glasses, they made their way to the door and ran to the Gail's car where they indeed, placed three calls.

Not surprisingly, the cops were the least helpful. Supernatural happenings were far beyond their training and they quickly deferred to the priest. He was young and absolutely gobsmacked by what he was witnessing. He called up some pals from college who were into investigating paranormal events and they arrived with an array of cameras, sensors and recording devices. By now, it was getting late in the afternoon. Gail had gone home as Amy had postponed the book club fete and called her husband who, having drunk some quantities of beer and jagermeister shots, could only utter WTF upon his arrival and headed to the bedroom for a nap. Meanwhile, as it grew dark, the glasses began to set down and stop moving. One of the para people googled dragonfly behavior and sure enough, when it gets dark, the insects settle down for the night. Another wondered about the glasses origin. Amy dug up the blurb that came with them and found that they were made in Turkey. The priest called his superiors to report the incident and asked if similar events had happened. They would get back to him he was assured. He was going to head back to the seminary to do some research. The paranormal folk gained permission to stay the night and man the equipment. With the hubby already conked out and snoring and the house full of strangers, Amy grabbed a bottle of wine out of the frig and retreated to her study. It had been one helluva day.

In the end, with the cops finally helping out by contacting Amazon and Interpol and the Church reaching out to their counterparts in Turkey, the mystery was solved. The cause of the flying glasses was the result of a spell placed on them by a jinn. Jinn are supernatural beings beneath devils and angels. One characteristic of jinn is that they delight in punishing humans that have done them harm, intentionally or unintentionally. In this instance, the jinn had been quite upset that the owner of the business that specialized in etching glass, had chopped down the jinn's favorite tree in the family's courtyard. The jinn decided to take revenge on the owner and put a spell on his glasses but only the dragonfly ones. Having these glasses fly around like the insect depicted on their surface appealed to the jinn's sense of humor. And then the jinn sat back to watch the troubles begin. The owner lost his glass etching contract with an Amazon subsidiary because of all the returns and was hard pressed to feed his family. He also had to endure a rash of stern criticism from the local Imam who was quite conservative and had no tolerance for members of his flock indulging in ancient and pagan beliefs. His wife stopped speaking to him because of all the embarrassment he had caused. Village children mocked him openly in the street by flapping their arms like wings. He secretly began to drink, supplied by sympathetic Christian friends he had in the village.

The moral of our story is a familiar one:

-you don't tug on superman's cape

-you don't spit into the wind

-you don't pull the mask off that old lone ranger

And you don't mess around with Jinn!


     

RIDICULOUS JOKE FROM THE LATE NORM MACDONALD

 

 


A frog walks into a bank to get a loan. He hops up on the counter of the nearest available teller and noticing her name tag, the frog says, "Hi, Mrs. Whack. I'd like to take out a loan." 

Teller: "Well I don't know. We don't normally give out loans to frogs." 


Frog: "Well, I want a loan."


Teller: "Alright, well what's your first name?"

Frog: "Kermit."

Teller: (Laughing)"No way. You're not Kermit the Frog."

 
Frog: "No, no, no...I was named after him. My full name's Kermit Jagger. You see, my mother's a frog and my father's Mick Jagger............he fucked a frog, and, well, now I'm here.
But anyway, I'd really like to get a loan, for a lilypad."

Teller: "I see. Well since you've got no credit, it'll be difficult to get you a loan. Do you have anything you can leave as collateral?"

Frog: (Pauses) "Yes. I think I have something that will work."

He reaches into his frog pocket and pulls out a tiny pink elephant made of porcelain. He holds it up to examine it for a moment. The teller looks at it, puzzled. Finally he hands it to her. 


Teller: "Uh...I'm not sure. I'll have to talk to the bank manager about this." (leaves to manager's office)


Manager: "What is it, Patty? Can't you see I'm busy?"

 
Teller (to manager): "Hey, we've got a Kermit Jagger out here...His mother's a frog and his father's Mick Jagger. He wants to get a loan for a lilypad but all he has for collateral is this." (holds up pink elephant)

Manager: (pauses, looking at the elephant) "What it that?" (takes it in his hand to examine) "What is this?"

After some time, he looks at her.

Manager: "I know what this is. This is a Knick Knack, Patti Whack! Give the frog a loan! His old man's a Rolling Stone!" 


 

Sunday, October 10, 2021

ART

All art transmits something karmic to each viewer.

HUMANS FEEDING CRITTERS

Our species has a long history of feeding other species. A couple of articles examine this behavior. The first is written by "H is for Hawk" author Helen Macdonald.

https://www.nytimes.com/2016/01/10/magazine/why-do-we-feed-wild-animals.html?action=click&module=RelatedLinks&pgtype=Article 

https://www.nytimes.com/2021/05/11/science/animal-feeding-humans.html 

Many species have symbiotic relationships often called mutualism where both species benefit being together that often involves food. The oxpecker bird who eat ticks on zebra's coats is a good example. In our case, dogs and cats were domesticated because they helped control vermin, provided an early warning system for predators or hostile tribes or aided with hunting game. But I think we are the only species who feeds others because it gives us pleasure to do so as well as attracting wild things to our environment, gives us some connection with the greater world.