TWILIGHT (click to enlarge)

 

WYNKEN, BLYNKEN & NOD

Poster for the iconic smokestacks of the decommissioned Eckert Station in Reo Town, Lansing. They are affectionately known as "Wynken, Blynken & Nod" and have been a dominant feature of the Lansing's skyline for nearly 60 years.

 

BOXING DAY

 

CHRISTMAS FORSYTHIA

Our cold/warm weather cycles here in MI is messing folks up.  C and I spotted our newest forsythia trying to bloom during our walk yesterday. Earlier in the month, our 10 year old forsythia out front had a scattering of blooms. I also spotted one day, a flock of robins feeding in my neighbor's yard. Good grief, you guys are really running late this year!

ANIMAL PORTRAITS BY DUTCH ARTIST TEIN LUCASSON

 

THE NIGHT VISITOR

 

All the females, human and feline alike, had gone to sleep while I, as our tradition, sat for awhile on the couch in front of the fire. For nearly a decade, my friend Bin and I would stand watch on Christmas Eve, chatting, imbibing in food and drink. With Bin’s passing this past May, I observed our ritual alone. It was a blustery evening, mainly wind with a bit of rain rattling against the big picture window and the skylights. I had risen to get a refill and as I opened the frig, I heard the cat portal open. Odd, I thought as I closed the door. Everyone is in but sometimes a gust of wind will do that to the cat door. Taking a sip and walking back to the couch in the Great Room, I perceived that the wind had suddenly died down. Molls and Tomi were still curled up as when I had left the room. Another step and I stopped. There was a dark shape on the couch and I could make out a familiar profile in the fire light. It was Bin.

B-Put on another log, will ya lad?
He was sitting erect like an Egyptian statue. I glanced over as I put down my drink and placed a fresh log on the fire. He moved over to the coffee table and sniffed my drink.
B-Ah yes, mother’s milk.
J- Yep. I only drink Drambuie during the winter holidays.
I reached out and brushed his cheek. He was soft and warm. He rubbed me back. As if reading my mind:
B-Yeah, I can become corporeal for a short time. It feels gooood after going without senses these past months.
J-I’ve missed you.
B-I’ve missed you, too.
He must have heard the stifled catch in my voice.
B-Now let’s not start blubbering. None of that wailing and gnashing of teeth like you did sitting on the toilet. That was touching.
J-How do you know about that?
B-Tomi heard you.
J-You’ve communicated with her?
B-Oh yes, everyone but your species can interact with the spirit world.
B-I’m sorry to have mocked your grieving. (He was sitting close and reached out a paw.) It was a bit over the top but I realize that you needed the privacy that that room provides. You know we aren’t as sentimental as you apes.
J-I’m sorry for what we did. There was no choice. There was nothing we could do to make you better. I’m sorry buddy.
B-(he put out his paw again) You did the right thing and I am thankful for it. I was in a bad, bad way. You and Mom were with me, I remember your hands on me as I slipped into the brightness. Oh, I felt such relief and it wasn’t scary at all as I have transitioned many times. Not to worry, lad. It’s ok. Have a sip.
J-It was a hard day.
B-I know. But not your first and not your last. It’s life, man.
J-Where did you go? Why are you here?
B-Well, everyone rests. Transitioning is always a shock to begin with and if one has been ill, you need to rest up and recover from that.
J-Is it a place?
B-I think it is different for all. Certainly, with your species’ pre-conceived ideas among the religious, what one experiences is varied. For me, my spirit existed in a softly lit undefined area.
B-Now, to why I am here: I am readying to transition to a new cycle. It’s time. I’m looking forward to being in a body again. I miss Mom’s lap time for example and the great food treats. I miss killing things. I miss putting my nose to wind in the air with all the aromas. I miss tearing flat out across the ground. I hope I pull a good life again.
J-Can you choose what happens? Like, not ending up in Somalia. Or placed with Abandoners.
B-Well, it’s funny how things work out sometimes. Sure, the experience with the Abandoners was lousy but I ended up with a lifelong friendship with Benny (next door neighbor) and you and Mom. BTW, my 18 years in the last cycle was the longest I have had. No doubt thanks to you guys.
J-Is there karmic impacts from the previous life?
B-For the rest of us, not really although I have seen in my cycles that the lives do get better. For you guys, I don’t know. The impact you apes have on others and the planet, one would hope that good deeds are rewarded and bad ones punished. Kinda tough when you cycle and don’t remember anything. It’s a mystery to all of us why this is so. If anyone should remember and learn from past lives it is you guys.
J-So, when do you cycle?
B-Soon and that’s why I am here. I most likely won’t see you again once I’ve cycled. I would however, remember you.
J-But I won’t remember you after I have cycled?
B-I am afraid you won’t, buddy. It’s your species’ curse.
Bin snuggled up and rolled a bit on his side and I gave him a belly rub. I pulled from my drink and we stared silently at the fire.
J-I should get Mom up to see you.
B-Naw man, there’s not time. Tell her in the morning.
J-I appreciate you stopping by. A nice, final gift from a good friend.
He sat up, stepped over to the coffee table and turned towards me, sitting upright.
B-Thank you for everything as well, my good friend. There’s something for you and Mom on the table. I love you.
J-I love you, too.
The wind gusted and I turned my head to look outside. When I turned back, Bin was gone. I poured another dram and stared into the fire, thinking about what had just happened, reminiscing about past times. It was good to see Bin again, replacing the previous final memory of witnessing his death. I fell asleep.

C woke me. As is her habit, she often sleeps in 2-3 hour stretches, wakes, hits the john to pee, goes to the frig for a drink of water. She saw that my bedroom door was open and searching, found me on the couch. She guided me to my bed where I fell into another dreamless sleep.

The next morning, I was up before the others. Got the coffee going, restarted the fire and turned on the oven for the cinnamon rolls. C was up shortly as were Molls and Tomi. Soon, we were all gathered by the fire with C and I on the couch. Coffee and rolls were sampled. The wind had died down and a bit of snow had fallen. C picks up something off the table.
C-What’s this?
In her palm was a key.
J-I dunno.
I took the key. On one side was imprinted the number 6 and the word Minffordd on the flip side.
J-Hmm, I said, sounds Welch with the doubled consonants. Go fetch your laptop hon and let’s look it up.
C-(reading) Minffordd, Wales, railway station that is the main stop to visit Portmeirion
J- Portmeirion, that’s where the Village is-you know, the one from the 60’s show The Prisoner. And 6, that was the Prisoner’s number. I bet this is a key to a lockbox in the station! I exclaimed.
C- Well how on earth did it get here?
J-(still looking at the key) I guess we’re gonna have to go to Wales. C cocks her head quizzically. I take her hand.
J-Let me tell you about the visitor I had last night.

TOMI

It's been an groundbreaking year for our Cali who, after 17+ years, has finally decided getting laptime and scritches and longstrokes and chin rubs are all good things. Strangely, she chose me to be her human of choice for attention. She's been with C since a kitten and for the longest time, was leery of me. Now, I have a demanding (oh yeah, she is vocal about it) feline on my hands who still hasn't mastered pulling in her claws when stomping on human flesh. Mom finally got her breakthrough last weekend when Tomi curled up on her quilt covered lap and snuggled between her and the arm of the sofa. 

It's as if she was stubbornly holding firm to her wildness: oh, I don't need these creatures for attention. I'm a cat! And I walk alone! But after years of seeing the enjoyment and love exchanging between us and Bin and Molls, she finally gave in. Evidently, much to her pleasure. Good for you sweetie! (But please, remember your claws!)

SHORT STORY: CHRISTMAS IN NEW YORK BY JEANETTE WINTERSON

                                                                                                                                                                                                Joe Thommas

 

I came across a wonderful live reading on NPR's Selected Shorts one afternoon in the car.  Alas, it was a rebroadcast from 2020 and the podcast is unavailable. So I managed to track down a print version to share. It's a lovely, spiced fruit bread filled with holiday fare:  friendship, childhood wishes and memories, love and loneliness and clairvoyant vodka.

     -Christmas in New York from Christmas Days, 2016-

The week before Christmas me and the guys at work liked to go out for a cocktail and a few plates. There’s a place we know on 12th Street called Wallflower, where the ceiling’s made of tin and the banquettes are made of orange stuff. It serves French food and American cocktails.

The night we went out we got talking about Christmas past – our childhoods mostly, when, according to memory, our affidavit against history, Christmas wasn’t commercialised, so although no one went shopping there were always presents under the tree. Kids went sledging and came home to play board games in front of the fire. Everyone had an old dog and a grandma who played piano. We all wore hand-knitted sweaters.

  Everybody built a snowman with a carrot for his nose and a scarf around his neck and sang ‘Winter Wonderland’.

  And on Christmas Eve you did your damn best to stay awake and see the fella in red in his sleigh – and you never did see him, but he came anyway, and drank the whisky on the kitchen counter.

  ‘Santa was an alcoholic.’

  ‘Yeah, but he spends the rest of the year in rehab.’

  ‘You want another bourbon? Martini? Twinkle?’

  ‘Come on, guys! This one’s on me.’

  I got up to go to the restroom. I sat down again. Seeing double.

  ‘Sam? Are you OK?’

  It was Lucille, squeezing in next to me in her little grey dress with the white collar. She works in the drawing office. I work in design. I tell her I’m fine.

  ‘You didn’t say anything when we were all talking about ­Christmas – don’t you like Christmas?’

  The fact is: I don’t like Christmas. I don’t know what it’s for these days – except for running up bills you can’t pay and fighting with your relatives. I live alone so I have an easy time of it. I live alone. That’s good.

  ‘I’m going home for Christmas,’ said Lucille; ‘what about you?’

  ‘I’m staying home,’ I replied.

  ‘On your own?’ said Lucille.

  ‘Yeah. I need some me-time. Y’know?’

  Lucille nodded like she was shaking her head. Then she said, ‘So tell me a story about your Christmas past. Just one.’

  ‘Choose any of them you like, they were all the same. We didn’t celebrate Christmas.’

  ‘Is your family Jewish?’

  ‘No. Just unpleasant.’

  I didn’t say any more right then because the others had started singing their version of ‘Fairytale of New York’, which was even worse than The Pogues’.

  I mean, what is this bonhomie? Is it because we’re in a bogus French bar that we have to have bogus French feelings, and kiss each other like it’s true?

  It’s not true, but here they are, my colleagues, clinking glasses and feeding each other prawns.

  Lucille leaned forward and joined in and I guessed that was the end of the Yuletide interrogation. I took a deep breath, made it to the restroom one more time, and decided to cut away right there and walk home.

  I took my coat from the rail and looked back at the group. Enjoy yourselves.

  Outside on the sidewalk there were people laughing, arm in arm, holding their faces up to the falling snow.

  What’s the big deal? Snow’s just rain that’s been left out in the cold.

  ‘I love it when it snows,’ said Lucille, suddenly standing next to me in her Russian fur hat and Doctor Zhivago greatcoat. Lucille’s OK but strange. She brings flowers to the office. She said, ‘Do you want to walk for a while?’

  So we set off through the white light and the gentle screen of quiet snow. The streets were noisy but didn’t seem so. The snow quieted the city and lowered the pulse rate of the place. And the late air smelled clean.

  ‘This broken world,’ I said.

  ‘What?’ she said.

  ‘Hart Crane.’

  ‘Oh . . . ’

  So we walked; past the bars and the eateries, and the small shops open late, and the guy selling bags under a tarpaulin, and the ­bundle of rags sitting up in the doorway with a sign that said MERRY CHRISTMAS FOLKS. The vent next to him shot out steam and the chemical crack of dry-cleaning. Lucille gave him five dollars.

  ‘So what was your Christmas past?’

  ‘Nothing – nada, I told you. No decorations, no tree, no gifts, no family meal. My father drove trucks across to Canada – he always chose the shift over Christmas – paid triple, he said, though what it paid triple for, what he spent it on, I don’t know.’

  ‘Are you saying you’ve never had a Christmas gift?’

  ‘No! I’m a grown man. I’ve had girlfriends. I have friends. They’ve given me gifts, of course! But Christmas itself means nothing to me.’

  There was a small dog on a leash jumping and snapping at the snow like he could catch it.

  ‘Christmas does mean something to you,’ said Lucille. ‘Christmas means sadness.’

  Oh, no, I said to myself, she’s New Age or she sees a shrink five times a week. Gimme a break.

  We reached the corner by the deli – its plastic frontage protecting a row of Christmas trees in pots. I smelled cold pine and detergent.

  ‘This is where I turn off,’ I said.

  ‘Your beard’s white,’ she said. ‘Seasonal.’

  I brushed the snow from my chin, pushed my hands into my coat pockets and set off down the block. About halfway I turned round. I don’t know why. Lucille had gone. Of course she had gone. Girls don’t stand on street corners in the snow.

  I went up the stairs to my apartment – it’s a one-bedroom in a building with a doorman who is dead but kept for show, and because it’s cheaper than getting someone who’s alive, I guess. He sits in his booth with the TV on. I’ve lived here two years. I’ve seen the back of his head but I’ve never seen him move.

  I unlocked my door – three locks in a rectangular blank plate of unforgiving steel – and turned on the light. My apartment is like my clothes – I don’t care but you have to wear something. I took this place furnished. I have never brought in anything of my own.

  Right in front of me in the middle of the room like it belonged there. A Christmas tree.

  I ran back downstairs and thumped on the booth where the doorman is supposed to be alive and well and willing to help the residents of the building.

  No response. I swear he turned up the sound on the TV.

  Then I’ll have to call the police . . .

  I’d like to report an incident.

  What kinda incident?

  There’s a Christmas tree in my apartment.

  Fella, you been drinking tonight?

  No. Yes. But not a lot. I mean, somebody has broken into my apartment and left a Christmas tree.

  Any material damage? Anything missing?

  No.

  Buddy, call your pals, say thank you, and say goodnight. Happy holidays, and goodnight.

  The line went dead. I phoned downstairs to the dead doorman. He didn’t pick up.

  The following day was my last day at work. I got up early, which was easy as I hadn’t slept much. The Christmas tree was still there. I had to walk around it to reach the door. As I looked back, as I was closing the door, I was sure the tree was smiling.

  At the office I said to Lucille, ‘Do you think trees can smile?’ She smiled in return, an open, kind smile I had never noticed before.

  ‘That’s not like you, Sam. That’s almost romantic.’

  ‘I’m a little distracted,’ I said.

  It was a day of winter sun that sparkled the city into diamonds and pearls. Electric-blue sky lit like a neon. The windows of the big department stores like magic mirrors into another world.

  I started to walk towards the Rockefeller Center, I don’t know why. The crowds are crazy, and everyone has six bags and no one can get a cab.

  Every year the city brings in a seventy-foot Christmas tree and strings it with five miles of lights and tops it with a giant Swarovski crystal star.

  I went forward, I don’t know why. Standing under the tree. The scale of it makes a grown man feel like a tiny child again.

  Sam! Sam! You come on in now.

  I want to see the tree, Mom. They’re bringing the tree from the forest!

  You heard what I said. Get inside now or no supper.

  Into the dark house. Into bed. And nothing.

  ‘Sam?’ It was Lucille. ‘What are you doing here?’

  ‘Me, oh, I had an errand midtown.’

  Lucille was still smiling – is she always smiling, and if so, why? She said, ‘I love coming to look at the tree. It makes me happy.’

  ‘It does? How does a tree make you happy?’

  ‘Because it’s free, and nothing’s free in New York, and it’s beautiful, and look how relaxed people are – with their children – and that old lady over there like she’s dreaming something good.’

  ‘She’s probably going to be all alone at Christmas,’ I said.

  ‘Are you?’ asked Lucille.

  ‘No, no. Of course not. Listen – have a good one, Lucille; I have to . . . ’

  ‘I was just heading into Bouchon for a hot chocolate. Want one?’
 

We reached the corner by the deli – its plastic frontage protecting a row of Christmas trees in pots. I smelled cold pine and detergent.

  ‘This is where I turn off,’ I said.

  ‘Your beard’s white,’ she said. ‘Seasonal.’

  I brushed the snow from my chin, pushed my hands into my coat pockets and set off down the block. About halfway I turned round. I don’t know why. Lucille had gone. Of course she had gone. Girls don’t stand on street corners in the snow.

  I went up the stairs to my apartment – it’s a one-bedroom in a building with a doorman who is dead but kept for show, and because it’s cheaper than getting someone who’s alive, I guess. He sits in his booth with the TV on. I’ve lived here two years. I’ve seen the back of his head but I’ve never seen him move.

  I unlocked my door – three locks in a rectangular blank plate of unforgiving steel – and turned on the light. My apartment is like my clothes – I don’t care but you have to wear something. I took this place furnished. I have never brought in anything of my own.

  Right in front of me in the middle of the room like it belonged there. A Christmas tree.

  I ran back downstairs and thumped on the booth where the doorman is supposed to be alive and well and willing to help the residents of the building.

  No response. I swear he turned up the sound on the TV.

  Then I’ll have to call the police . . .

  I’d like to report an incident.

  What kinda incident?

  There’s a Christmas tree in my apartment.

  Fella, you been drinking tonight?

  No. Yes. But not a lot. I mean, somebody has broken into my apartment and left a Christmas tree.

  Any material damage? Anything missing?

  No.

  Buddy, call your pals, say thank you, and say goodnight. Happy holidays, and goodnight.

  The line went dead. I phoned downstairs to the dead doorman. He didn’t pick up.

  The following day was my last day at work. I got up early, which was easy as I hadn’t slept much. The Christmas tree was still there. I had to walk around it to reach the door. As I looked back, as I was closing the door, I was sure the tree was smiling.

  At the office I said to Lucille, ‘Do you think trees can smile?’ She smiled in return, an open, kind smile I had never noticed before.

  ‘That’s not like you, Sam. That’s almost romantic.’

  ‘I’m a little distracted,’ I said.

  It was a day of winter sun that sparkled the city into diamonds and pearls. Electric-blue sky lit like a neon. The windows of the big department stores like magic mirrors into another world.

  I started to walk towards the Rockefeller Center, I don’t know why. The crowds are crazy, and everyone has six bags and no one can get a cab.

  Every year the city brings in a seventy-foot Christmas tree and strings it with five miles of lights and tops it with a giant Swarovski crystal star.

  I went forward, I don’t know why. Standing under the tree. The scale of it makes a grown man feel like a tiny child again.

  Sam! Sam! You come on
in now.

  I want to see the tree, Mom. They’re bringing the tree from the forest!

  You heard what I said. Get inside now or no supper.

  Into the dark house. Into bed. And nothing.

  ‘Sam?’ It was Lucille. ‘What are you doing here?’

  ‘Me, oh, I had an errand midtown.’

  Lucille was still smiling – is she always smiling, and if so, why? She said, ‘I love coming to look at the tree. It makes me happy.’

  ‘It does? How does a tree make you happy?’

  ‘Because it’s free, and nothing’s free in New York, and it’s beautiful, and look how relaxed people are – with their children – and that old lady over there like she’s dreaming something good.’

  ‘She’s probably going to be all alone at Christmas,’ I said.

  ‘Are you?’ asked Lucille.

  ‘No, no. Of course not. Listen – have a good one, Lucille; I have to . . . ’

  ‘I was just heading into Bouchon for a hot chocolate. Want one?’



  And so we sat – and Lucille was still smiling, and I was still not, and she was chatting about the holidays and suddenly I said, ‘Last night, in my apartment, there was a Christmas tree. It just appeared.’

  ‘Are you sure?’

  ‘I called the police.’

  ‘You called the police because there’s a Christmas tree in your apartment?’

  A guy in a plaid fleece squeezed by carrying two gingerbread mochas. He leaned down and said to Lucille, audible for my benefit, ‘Get yourself a better date, sweetheart.’

  Lucille laughed, but I didn’t see what was so funny. I called at his back, ‘She’s not my date!’

  The guy in plaid turned round. ‘So you’re stupid. I get it. Happy holidays.’

  ‘Somebody broke into my apartment! Asshole!’

  But the guy in plaid had gone, and I was on my feet, embarrassed and alone. I wasn’t alone. Lucille was still there.

  ‘Did you like it?’ she said.

  ‘The chocolate’s great, yeah . . . thanks.’

  ‘The tree. Did you like the tree?’

  I was walking back home, alone, thinking about what she had said. Do I like it that for the first time in my whole life of thirty-two years I have a Christmas tree in my home?

  I rounded the corner. The Afghans who run the deli were standing outside. I said, ‘Did you deliver a tree to my apartment last night?’

  They shook their heads and offered me some chestnuts from the hot pan. Am I going home for the holidays? No? They would like to go home. One of them took out his wallet and showed me a crumpled printed picture of the house where his parents lived – a single-storey building made of concrete set against a steep mountain topped with snow. He didn’t say anything – held the picture, like it was a light or a mirror, or an answer to a question. Then a woman came in wanting oranges.

  I went inside and bought some cooked chicken with rice and cashews and apricots, and headed round the corner towards my building. My apartment is on the fourth floor with the living-room window onto the street.

  There’s a light in my window, coming from inside, somewhere. Like a low lamp. I don’t own a low lamp. I’m a centre-light man.

  I rushed into the building.

  The Dead Doorman was in his booth watching TV. I stood outside waving my hands to attract his attention but all I heard was the TV set turned up louder. He’s gonna explode the set.

  There’s no elevator in my building, so I climbed up the stairs two at a time, spilling some of the juice out of the chicken container. I opened the door – all three locks are tumbled. No sign of a forced entry. Inside, I reached for the light switch but there’s no need.

  The Christmas tree is lit up.

  Outside on the stairs I can hear someone breathing heavily. I hang back in the doorway, tense, expecting something to happen. Instead Mrs Noblovsky from the fifth floor comes heaving by, carrying or being carried by a flotilla of gaudy bags. I can barely see her. ‘Let me help you,’ I say, because I have to say that.

  Mrs Noblovsky pauses, panting, outside my apartment. She sees the serenely glowing Christmas tree through the door, and sighs. ‘So nice, Sam; mine own iz plaztik.’

  ‘Would you like this one? You can have it if you want it. I can carry it upstairs for you.’

  ‘Such a good boy. A kind boy. No vank you. I am goink to my daughter tomorrov in Feel-a-del-fia. You must ve havink Christmaz here to hav that fine tree.’

  And then she’s on her way up the next flight of stairs, me behind carrying the bags, hearing about Christmas in Soviet Russia and her grandmother’s special vodka that made anyone who drank it clairvoyant.

  ‘When I voz three, Grandmama says to me, “Agata, you vill live in Amerika.” And here I am.’

  There’s no arguing with that. She opens the apartment and I dump her bags in the hall. Her place is bigger than mine. I’ve never seen inside before.

  Everything is brown – chocolate carpets, caramel furniture, velvet curtains the colour of coffee. There’s a mahogany standard lamp with a seaweed-brown fringed shade and an ancient TV in a veneer cabinet on legs. The distinct low rumble from the fridge makes the apartment sound like it’s digesting. It’s like she’s living inside a big brown bear.

  Mrs Noblovsky fetches me a bottle from a cupboard. ‘Vodka,’ she says, pressing it into my hand. ‘Clairvoyant. My babushka’s recipe. My brother in Brooklyn makes it from potatoes.’

  ‘Are potatoes clairvoyant?’

  ‘There iz a secret ingredient. Family secret. Take it. You are a good boy.’

  I protest, hesitate, hesitate, protest. Then I suddenly think of something. ‘Mrs Noblovsky, the doorman – downstairs – is he alive, do you think?’

  ‘I think zo,’ she says, ‘vhy?’

  ‘I’ve lived here two years now and he’s never spoken to me.’

  ‘He spoke to me about twenty years ago. I had a gaz leak. Vhy you want him to speak to you? You hav a gaz leak?’

  ‘He’s the doorman.’

  She shrugged and turned on the TV. I thanked her for the vodka and went downstairs.

  Back in my apartment there’s the tree. The glowing tree. Whoever did this had good taste in fairy lights but that is not the point. I ate the chicken and rice and cashews and left the apricots. I could have turned off the tree lights. Instead I sat staring at them. By the time I’d had four of Mrs Noblovsky’s clairvoyant vodkas I almost liked the tree. I could see myself buying something similar next Christmas.

  I fell asleep on the couch.

  ‘I bought this for you, Mom. It’s a Christmas present.’

  ‘We don’t celebrate Christmas, Sam.’

  ‘Why not?’

  ‘We never have and we never will.’

  ‘I saved my pocket money.’

  My mother unwrapped the present. It was a butter dish made of aluminum. In the shape of a clam shell. ‘It’s silver, I think,’ I said.

  ‘Thank you, Sam.’

  ‘Do you like it?’

  Cold light of day. The garbage truck woke me. I went to the window. Still dark on the block. More snow in the night like a secret we keep. The truck pulled away and the dirty tyre tracks were soon filled with white feathers from the snow goose in the sky.

  Snow goose? What’s the matter with me?

  Get up and go out, get what you need. It’s Christmas Eve.

  I went down to Russ and Daughters. Bought lox and cream cheese and pastrami. They were handing out free cookies. I took some. Round the corner is their eat-place and I thought maybe some roe on toast and a cocktail would be the right thing at 9am on Christmas Eve.

  I swung in, sat at the counter and picked up the menu that serves as a mat.

  ‘Hello,’ said Lucille.

  She was drinking coffee at a table. ‘Care to
join me?’

  Why not? I thought. Hell, the same woman is everywhere I go, and I have a light-up Christmas tree and a bottle of clairvoyant vodka in my apartment.

  I explained this to her. Not the part about her but the other parts. She nodded sympathetically. ‘Shall we have an ice-cream?’

  ‘At nine-thirty in the morning?’

  ‘That’s somehow worse than a Martini at nine o’clock in the morning?’

  She had a point. We ate the ice-cream; ginger for me, strawberry for her. ‘Are you at your friends’ place tomorrow,’ she said, ‘or will they come to you?’

  ‘We’ll decide later on,’ I said, panicking. I mean, I do have friends, but not at Christmas, but I’m not telling her that part either.

  She nodded. ‘So do you want to come shopping? A few last-­minute gifts?’

  I shook my head. ‘I don’t do gifts. It’s not a tradition of mine.’

  ‘Didn’t you ever make a list for Santa Claus?’

  ‘He’s make-believe,’ I said.

  ‘Wasn’t there ever anything you wanted so badly you wrote to Santa about it?’

  ‘Are you kidding me?’

  She wasn’t.

  ‘Well, I always hoped I’d get a toboggan, a real wooden one with a leather rein and steel runners.’

  ‘You could get one now.’

  I shook my head. ‘It was a long time ago.’

  ‘The thing about time,’ said Lucille, ‘is that it’s always there. You didn’t do it then, so do it now.’

  ‘Too late.’

  ‘To be a child prodigy, yes, it’s too late. To own a toboggan – no, it’s not too late.’

  I smiled at her smiling at me. I stood up and reached for my coat. ‘Happy holidays, Lucille. See you at the office in the New Year.’

  She nodded and looked down at the menu. I hesitated. I’m a jerk. But because I am a jerk I didn’t say what I wished I could say. I left.

  Heavier snow now and fewer cars. Time to go home. I read somewhere that more than half of the people in Manhattan live alone.

  At the deli on my corner Farouk was roasting more chestnuts. He gave me a scoop, rattling the tin shovel against the coals. ‘We’re closing at four. Having a party. Want to come?’

  ‘Sure; what can I bring?’

  ‘You bring nothing – you are my guest.’

  I remembered that Lucille had picked up the tab twice now. For coffee, and for breakfast. I didn’t even think to pay for my own breakfast this morning. I should call her. I can’t call her. I don’t have her cell.

  I went into my building.

  A great big silver bell with a red bow had appeared outside the booth of the Dead Doorman. I knocked loudly on the glass but all I could see was the back of his head and Angela Lansbury running around in ‘Murder, She Wrote’.

  Am I going to be killed by the Mysterious Christmas-Tree Fairy? I deserve it.

  As I tumbled the locks on my apartment door I was both afraid and excited. What now?

  Answer: nothing. Disappointment is the default position of my life. There was the tree. There were the lights, but nothing new.

  So I caught up on some work emails. They all came back with an out-of-office auto-reply. There’s no work ethic in America. It’s barely 11am on Christmas Eve.

  By noon I was showered and shaved and changed with nothing left to do. I thought I’d take a walk. Get something for Farouk anyway. He liked baseball caps.

  I was passing McNally’s bookstore. There was a copy of a Hart Crane in the window. I stood looking at it, and I heard myself saying out loud,

  ‘I could never remember

  That seething, steady leveling of the marshes

  Till age had brought me to the sea.’

  Crane wrote that when he was twenty-six. He was dead at ­thirty-two. My face was wet with rain or snow. I went into the store and bought the book.

  The Hart Crane isn’t for Farouk but the leopard-skin baseball cap is.

  I was sitting with him on the rusty treads of the fire escape behind the building. It’s too hot inside now – every Afghan in New York City is at the party. The music’s live and there’s a lot of laughter. Farouk must have seen me slip out on the fire escape. He followed me with a beer. So I pulled out the cap I bought him.

  ‘Does it fit? Try it on.’

  There’s a broken fridge with glass doors propped on the gantry of the fire escape. Farouk peers at the makeshift mirror of the glass, using his phone as a light, pulling the baseball cap low on his head, so that the peak is right on his eyes that are deep like black coals. ‘I never seen a leopard-skin baseball cap.’

  ‘I guess it’s for winter.’

  ‘I feel like a mountain cat in the Hindu Kush. You ever been to Afghanistan?’

  ‘Not me.’

  ‘Most beautiful place on earth. Here, I show you some pictures. My phone. Goats, eagles, the market where my father works – those sacks are rice. He is seventy and he can carry them. Very strong. He thinks I am a taxi driver. He always wanted himself to be a taxi driver.’

  ‘Would you go home if you could?’

  Farouk shakes his head. ‘What is home? Where is home? Home is a dream. Home is a fairy tale. This Afghanistan does not exist. Not for me. Home is where you make it, my friend. What do you think if I wear this backwards?’

  He rearranges his cap. Then he says, ‘Your girlfriend – nice girl, big smile; where is she tonight?’

  ‘She’s not my girlfriend.’

  Farouk looks sorrowful. ‘Girl like that – you should try harder.’

  It’s later now, much later, and I am back in my apartment, staring at the tree and finishing Mrs Noblovsky’s clairvoyant vodka. I can see the future and it’s just like today. What kind of a future is that?

  I throw open the window. Deep breaths of air. The music’s still coming from the party. I should get some sleep. One night sleeping fully dressed on the sofa is enough.

  But there’s something I want to do first.

  On top of the wardrobe there’s a box in a box. There are other things in the box too, but it’s the box in the box I want, a cardboard box and tied with kitchen string.

  My mother gave it to me when I was leaving home for college. I smiled, kissed her, kept it for the train.
  I opened it like I am opening it now. What had she given me to remind me of home?

  Inside was the aluminum butter dish in the shape of a shell.

  She never could receive. She never could give.

  I should have hurled it out of the train window. Instead I kept it like poison I had already swallowed. Why?

  My hands were shaking. I went to the window, leaned back and pitched the dish full pelt, past the air-conditioning units and satellite dishes, away through the night stars. Away into nothing. I didn’t hear it fall.

  Then I slept.

  Morning came. It does.

  I went yawning into the lounge in my boxers and T-shirt. There was the tree. There were the lights. Under the tree was a long cardboard box tied with a silver ribbon.

  I went back into the bedroom, did the whole yawning and stretching routine again, and returned cautiously to the lounge. The present – it had to be a present, didn’t it, because it was under the Christmas tree? – was still there.

  Going into my lounge was getting to be as unpredictable as having a wild animal in the house. What was I supposed to do? I made coffee, checked my phone; no messages. I wasn’t drunk. Yes, the item under the tree was definitely still there.

  All right. Deep breathing. Be calm. Get dressed. Jeans. Shirt. Sweater. Now take the box into the hallway and down the stairs and out onto the street and open it. Whatever is in there needs to be out of there.

  I grabbed a knife from the kitchen to split the cardboard. The box was heavy and bulky. In the lobby I saw that the blind was down on the Dead Doorman’s booth. Up. Down. So what? Dead is dead.

  OK, now I’m outside. It’s a beautiful morning. The sub-zeros last night have crisped the snow into a white carpet the length of the block. The moon is still in the sky although the sun is out. The air is sharp as a knife. My knife is not as sharp as the air, but I rip through the cardboard, pulling it away from the object inside.

  Objects aren’t happiness. But this one is.

  Inside the box is a deep-polished wooden sledge with a red leather rein and blue steel runners. But this sledge has articulated joints on the footrests so that you can steer it. Forgetting everything, I sat on it and tried the steering. It’s great.

  I didn’t notice a car pulling up – until the polished hubcaps of the retro VW Beetle flashed the sun in my eyes.

  ‘Do you want to go to Riverside Park and try it out?’

  It’s Lucille in a bobble hat, the top down on the convertible.

  ‘Did you give me this, Lucille?’

  Where didn’t we go? Pilgrim Hill in Central Park, Hippo on Riverside. Owl’s Head Park. And I was sledding through time or maybe there was no time because Christmas Day comes just once a year.

  The sun was going down before we were done. I said, ‘Do you want to come back for some lox and cream cheese? It’s not Christmas dinner but . . . I have black bread and some interesting vodka . . . actually I don’t; I finished it last night.’

  ‘I’m taking you to my place,’ said Lucille. ‘It’s small and I share it but the others are gone home for the holidays. And I have dinner for us. But let’s go by your place first. I need to drop something off.’

  ‘Haven’t you dropped off enough already? The tree, the lights . . . they were from you, right?’

  Lucille nodded. Such soft eyes. I love the way she smiles.

  ‘But how did you get in?’

Back at the building I left Lucille in the lobby while I took the stairs at a bound, changed into dry clothes and packed the lox. I hesitated, then threw in a spare T-shirt, shorts and my electric toothbrush. And something else. Something I knew I had bought for Lucille when I bought it.

  ‘Thank you,’ I said to the tree on my way out.

  In the lobby Lucille was standing with an elderly man who had the same kind of bright smile that she did. He seemed vaguely familiar. When she saw me she said to him, ‘This is Sam.’

  ‘Sure I know it’s Sam,’ said the vaguely familiar guy. ‘Always wants something, so I always ignore him.’

 Then he kissed Lucille on the top of her head and went back towards the booth. I recognised the back of his head. ‘See you tomorrow, sweetie.’ The booth door closed on the not-so-Dead Doorman.

  ‘He’s my grandpa,’ said Lucille.

  We got into her VW. We went to her place, small as an envelope. We ate. We talked. I nearly kissed her, but then I gave her the Hart Crane, and she kissed me. She was in charge, I guess. I said, ‘I owe you for coffee and breakfast.’

  She said, ‘There’s all of next year.’

 
 

A SNOWY EVENING IN THE WOODS WITH BACH

Click on vid to begin, then click on image to enlarge.

                                                                                                                                                                                                             Ryan Bliss

 

 

HAPPY SOLSTICE!

 The return of the sun!!

A COLLECTION OF SNL CELEBRITY JEOPARDY WITH A LEWD SEAN CONNERY MISREADING THE BOARD

 

A few minutes of relief from our times. Hats off to the creativeness of the SNL writers who clearly had a lot of fun thinking up these jokes. Will Farrell as the impossibly straight-faced Alex Trebek and Darrell Hammond as Connery.

THE MYSTERY OF THE "SAME SKY" POSTCARDS

POEM: "OUTGOING TIDE"

 

I stand in water

 with rolled trousers.
A peach pit in hand.

Time is drawing me 

and the tide out.
I cannot swim.

POEM: EXCERPT FROM DEREK WALCOTT "LOVE AFTER LOVE"

...Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart...

SATURDAY NIGHT MUSIC: THIEVERY CORPORATION "SAUDADE "

 

Laid-back bossa nova from the Washington DC duo who generally work in the electronica genre. I find this to be relaxing, drink-sipping fare for in front of a fire on a blustery winter day or on the deck on a summer evening. Saudade translates from Portuguese roughly meaning a melancholic longing for someone or something from the past.

NEW SUPPORT RIBBON: FPS AWARENESS

Anyone who has a lapcat can relate to this condition: a numbness in your legs after your loving cat has spent a good amount of time on your lap. The condition, Feline Paralysis Syndrome (FPS), while temporary in most cases, can be painful and a bit of a hazard when first getting up on unsteady legs after a lengthy session with your furball. Often your cat, after settling in and getting comfy as well as filled with pleasure from the ear scritches, long strokes and belly rubs, can exhibit grumpiness when asked or "helped" off your legs. Sometimes your cat will displace his/her feelings by dumping over a nearby wastebasket or stomping off and slugging a feline roommate. 

There is no cure for FPS. One can only attempt to train your cat (ha, ha, ha yeah right) to realize that these loving sessions are short or minimize his/her displacement by staggering out to the kitchen to fetch a snack.

Good luck to us all.
 

TV SERIES: MARTIN CHUZZLEWIT AND BLEAK HOUSE BY CHARLES DICKENS

Up here in snow country, the fireplace season has begun with blustery days of wind with rain and snow. Perfect time to settle down in front of the electric box and watch something tasty. We stumbled upon a couple of gems: a pair of quintessential works by Charles Dickens from our friends at the BBC. Both are satire with the author's keen observations on social issues, the stifling rigidity of the English class system, the plight of women and children and the spectrum of human cruelty and kindness. Part of the fun are the Dickens' trademark names he came up with that in most instances, reveal the character of the person. Pecksniff from Chuzzlewit, a snobby social climber; Smallweed from Bleak House, a vicious small time landlord and moneylender are good examples.

Both novels are episodic and to our modern sensibilities, soap operaish with dramatic cliff hangers at the end of each section. Indeed, this was a brilliant marketing method by the author as he serialized his work: Chuzzlewit between 1824-1844, Bleak House 1852-1853. At the height of his popularity, crowds would wait on the wharf in NYC to get their hands on the latest installment. It is to our great fortune that the following versions are of 6-8 one hour long episodes that do justice to the work. It would simply be criminal to try and confine these books to a 2 hour film.

Martin Chuzzlewit: the main theme concerns selfishness and it's ruinous impact on a human being and those around them. In the story center is an extremely wealthy old man nearing the end of his days and the machinations by relatives to get a piece of the fortune. From 1994 starring Paul Scofield, Pete Postlethwaite, Tom Wilkinson and John Mills.

Bleak House: an indictment of the English Chancery Civil Court system where litigation could take decades to resolve. Here, a case involving a will has all claimants on tetherhooks with dreams of wealth and status perpetually frozen and, as the old joke goes, no one is getting rich but the lawyers. From 2005 starring Gillian Anderson, Carey Mulligan, Charles Dance, Nathaniel Parker and Warren Clarke.

Available from BritBox which can be accessed via Prime. For the cost of a couple of lattes...($6.99), cancel whenever.

Enjoy!

 

HAPPY HARVEST FEAST DAY!

 

FREE YOUR MIND: ART BY PRISONERS IN THE MICHIGAN SYSTEM

 

Karmyn Valentine, The Way It Feels, 2016

One of many prison artists featured in an exhibition at the Broad Museum, MSU.

https://broadmuseum.msu.edu/exhibitions/free-your-mind 

ANIMATED SHORT ON THE REAL REASON DINOSAURS BECAME EXTINCT

FUN WITH THE JAY FAMILY

Blue Jays love peanuts and an enjoyable activity for us this past September, after the hoards of mosquitos finally subsided, was lining up 4-5 peanuts on the pool deck railing. Jays can spot peanuts from quite a ways, utter a call to announce their intention and swoop down to grab one, fly away and return. We have 3 Jays and we wonder if they are a family: Ma, Pa and teenager. Quite entertaining on a warm evening after supper while sitting on the deck. Great fun for those who have children and grandchildren. 

Mark Twain tells a great yarn about  the Jays' collecting habit in A Tramp Abroad:

https://loa-shared.s3.amazonaws.com/static/pdf/Twain_Bluejay_Yarn.pdf 

MOVIE: THE PLANTERS

 

An original and intriguing DIY indie film by childhood pals, Alexandra Kotcheff and Hannah Leder, who assumed nearly all scripting, performing and production duties. Filmed in a small Californian desert village by the Salton Sea, this debut feature took nearly 5 years to complete as the actresses fit the project in while working on other jobs and as funds allowed. The Planters very much echoes the deadpan whimsy of Wes Anderson films with a dash of Lynch and bits of claymation. 

Kotcheff plays Martha Plant, a telemarketer selling air conditioners who sucks at her job. Her parents have recently died in a horrible accident. She has a peculiar side gig burying items in the desert and putting them up for sale. One day while burying something, she meets a wandering woman (Leder) who, as a non-violent mental patient, was recently released from the local facility because of budget cuts. Martha takes her in but soon discovers the woman has 3 personalities: Sadie, sweet and intelligent with a Jesus fixation; Emma, a 4 year old with major potty training issues and Angie, a party-hearty girl. 

The film was released in September 2020 and is curiously prescient (work began in 2015) of what the world was experiencing because of Covid. Death of parents, isolation, lack of friendship, contact and TLC from another person-all universal themes of the human condition. While some plot devices are well-worn, this is a sweet and loving film by Kotcheff and Leder full of wry social commentary with clever and fun bits. Not a direct spoiler alert but worth mentioning to pique your interest: the ending scenes point to a Eastern Orthodox peculiarity: the Holy Fool and that Kotcheff is of Bulgarian descent.

It took me a while to warm up to the film, to enter that particular universe but patience paid off with a heapin' helpin' of enjoyment. And with a running time of only 78 minutes, it's not a huge investment of time.

A personal note: my first job getting out of high school was working as a telemarketer. My job was to cold call people to get them to come to a info meeting involving vacation property in Northern MI called Lakes of the North. Four hours in the evening, minimum wage, a bonus for each sucker, I mean potential client, who signed up. I probably did this for a month before starting what later turned out to be a 25 year stint with Kroger. 

 

TWO PERENNIAL HOUSEHOLD MYSTERIES SOLVED

 

Heaven... I'm in heaven,
And my heart beats so that I can hardly speak...

 

I was grumbling to C about a continuing frustration: we have tupperware lids with no bottoms and bottoms with no lids. 

J: Where the hell do these things go?

C: They run off with the missing socks.

META FROM POLISH ARTIST PAWEL KUCZYNSKI

 

CRAZY BEYOND BELIEF

 

QAnon believers gathered on November 2  in Dealy Plaza, Dallas, TX convinced that John F. Kennedy and John F. Kennedy Jr.  would appear around 12.30 pm CT. John Jr, it is believed, having faked his 1999 plane crash death, was reappearing to run as Donald Trump’s vice president in the 2024 elections.

No comment necessary.

WE IMAGINE ZUCKERBERG'S META MARKETING SPOT

Last week, dear old Mark Zuckerberg introduced to the world his latest product to help mankind. After all, that is the obnoxious conceit of this man whose internal jingle is the ditty from the 1971 Coca Cola commercial "I'd like to teach the world to sing (in perfect harmony)". In his latest endeavor, META, he proposes we escape all the crap in the world by putting on virtual reality glasses ($200 from Facebook), buy a subscription and spend hours with favorite avatars for people and places. I can imagine the kind of drooling this concept evoked in the world's facist leaders. Get people hooked on this device, create incentives for them to spend more and more time in virtual reality all the while, you and your cronies rape, pillage, terrorize, murder with impunity and turn the real world into a hell on earth. Think of the synergies! Think of the profits!

I think the following would be a fabulous META ad geared to address FOMO anxieties of so much of the 1st World population.

With many apologies to:

Songwriters: Hatch Anthony Peter

Downtown lyrics © Welbeck Music Ltd., Smack Hits, Universal Music Works, Warner/chappell Music Ltd.

 

Keywords are bold, in red and italicized.

 

When you're alone and life is making you lonely
You can always go
META
When you've got worries all the noise and the hurry
Seems to help I know
META

Just listen to the music of the traffic in the city
Linger on the sidewalk where the neon signs are pretty
How can you lose?

The light's so much brighter there
You can forget all your troubles, forget all your cares

So go META 

Things will be great when you're

META
No finer place for sure

META
Everything's waiting for you (META,META)

Don't hang around and let your problems surround you
There are movie shows 

META 

Maybe you know some little places to go to
Where they never close
META

Just listen to the rhythm of a gentle bossa nova
You'll be dancing with 'em too before the night is over
Happy again

The light's so much brighter there
You can forget all your troubles, forget all your cares

So go META
Where all the lights are bright
META
Waiting for you tonight
META
You're gonna be alright now (META) 

META

META

META

META  

And you may find somebody kind to help and 

understand you
Someone who is just like you and needs a gentle hand
To guide them along
So maybe I'll see you there
We can forget all our troubles, forget all our cares

So go
META

 Things will be great when you're
META
Don't wait a minute more
META
Everything's waiting for you (META,META)

META

META
META

META

META

META 

META

META